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He dies, and makes no sign. -King Henry VI. Part II. Act iii. Sc. 3.
He dies, and makes no sign. -King Henry VI. Part II. Act iii. Sc. 3.
O, how full of briers is this working-day world! -As You Like It. Act i. Sc. 3.
O, how full of briers is this working-day world! -As You Like It. Act i. Sc. 3.
In those holy fields Over whose acres walked those blessed feet Which fourteen hundred years ago were nail'd For our read more
In those holy fields Over whose acres walked those blessed feet Which fourteen hundred years ago were nail'd For our advantage on the bitter cross. -King Henry IV. Part I. Act i. Sc. 1.
And wiped our eyes Of drops that sacred pity hath engender'd. -As You Like It. Act ii. Sc. 7.
And wiped our eyes Of drops that sacred pity hath engender'd. -As You Like It. Act ii. Sc. 7.
The young gentleman, according to Fates and Destinies and such odd sayings, the Sisters Three and such branches of learning, read more
The young gentleman, according to Fates and Destinies and such odd sayings, the Sisters Three and such branches of learning, is indeed deceased; or, as you would say in plain terms, gone to heaven. -The Merchant of Venice. Act ii. Sc. 2.
Small have continual plodders ever won Save base authority from others' books. These earthly godfathers of heaven's lights That give read more
Small have continual plodders ever won Save base authority from others' books. These earthly godfathers of heaven's lights That give a name to every fixed star Have no more profit of their shining nights Than those that walk and wot not what they are. -Love's Labour 's Lost. Act i. Sc. 1.
A woman moved is like a fountain troubled,— Muddy, ill-seeming, thick, bereft of beauty. -The Taming of the Shrew. Act read more
A woman moved is like a fountain troubled,— Muddy, ill-seeming, thick, bereft of beauty. -The Taming of the Shrew. Act v. Sc. 2.
All the world 's a stage, And all the men and women merely players. They have their exits and their read more
All the world 's a stage, And all the men and women merely players. They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms. And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woful ballad Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard; Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side; His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything. -As You Like It. Act ii. Sc. 7.
His nature is too noble for the world: He would not flatter Neptune for his trident, Or Jove for 's read more
His nature is too noble for the world: He would not flatter Neptune for his trident, Or Jove for 's power to thunder. -Coriolanus. Act iii. Sc. 1.
