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An you had any eye behind you, you might see more detraction at your heels than fortunes before you. -Twelfth read more
An you had any eye behind you, you might see more detraction at your heels than fortunes before you. -Twelfth Night. Act ii. Sc. 5.
Every one fault seeming monstrous till his fellow-fault came to match it. -As You Like It. Act iii. Sc. 2.
Every one fault seeming monstrous till his fellow-fault came to match it. -As You Like It. Act iii. Sc. 2.
The eftest way. -Much Ado about Nothing. Act iv. Sc. 2.
The eftest way. -Much Ado about Nothing. Act iv. Sc. 2.
The tongues of dying men Enforce attention like deep harmony. -King Richard II. Act ii. Sc. 1.
The tongues of dying men Enforce attention like deep harmony. -King Richard II. Act ii. Sc. 1.
Two lovely berries moulded on one stem. -A Midsummer Night's Dream. Act iii. Sc. 2.
Two lovely berries moulded on one stem. -A Midsummer Night's Dream. Act iii. Sc. 2.
This is Ercles' vein. -A Midsummer Night's Dream. Act i. Sc. 2.
This is Ercles' vein. -A Midsummer Night's Dream. Act i. Sc. 2.
I do know of these That therefore only are reputed wise For saying nothing. -The Merchant of Venice. Act i. read more
I do know of these That therefore only are reputed wise For saying nothing. -The Merchant of Venice. Act i. Sc. 1.
He wears his faith but as the fashion of his hat. -Much Ado about Nothing. Act i. Sc. 1.
He wears his faith but as the fashion of his hat. -Much Ado about Nothing. Act i. Sc. 1.
'T is not in the bond. -The Merchant of Venice. Act iv. Sc. 1.
'T is not in the bond. -The Merchant of Venice. Act iv. Sc. 1.
