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The idea of her life shall sweetly creep Into his study of imagination, And every lovely organ of her life, read more
The idea of her life shall sweetly creep Into his study of imagination, And every lovely organ of her life, Shall come apparell'd in more precious habit, More moving-delicate and full of life Into the eye and prospect of his soul. -Much Ado about Nothing. Act iv. Sc. 1.
If I do, fillip me with a three-man beetle. -King Henry IV. Part II. Act i. Sc. 2.
If I do, fillip me with a three-man beetle. -King Henry IV. Part II. Act i. Sc. 2.
Wherefore are these things hid? -Twelfth Night. Act i. Sc. 3.
Wherefore are these things hid? -Twelfth Night. Act i. Sc. 3.
Praising what is lost Makes the remembrance dear. -All 's Well that Ends Well. Act v. Sc. 3.
Praising what is lost Makes the remembrance dear. -All 's Well that Ends Well. Act v. Sc. 3.
Thus we play the fools with the time, and the spirits of the wise sit in the clouds and mock read more
Thus we play the fools with the time, and the spirits of the wise sit in the clouds and mock us. -King Henry IV. Part II. Act ii. Sc. 2.
Let still the woman take An elder than herself: so wears she to him, So sways she level in her read more
Let still the woman take An elder than herself: so wears she to him, So sways she level in her husband's heart: For, boy, however we do praise ourselves, Our fancies are more giddy and unfirm, More longing, wavering, sooner lost and worn, Than women's are. -Twelfth Night. Act ii. Sc. 4.
Press not a falling man too far! -King Henry VIII. Act iii. Sc. 2.
Press not a falling man too far! -King Henry VIII. Act iii. Sc. 2.
The daintiest last, to make the end most sweet. -King Richard II. Act i. Sc. 3.
The daintiest last, to make the end most sweet. -King Richard II. Act i. Sc. 3.
'T is not for gravity to play at cherry-pit with Satan. -Twelfth Night. Act iii. Sc. 4.
'T is not for gravity to play at cherry-pit with Satan. -Twelfth Night. Act iii. Sc. 4.
