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    As Stephen Sly and old John Naps of Greece, And Peter Turph and Henry Pimpernell, And twenty more such names and men as these Which never were, nor no man ever saw. -The Taming of the Shrew. Induc. Sc. 2.

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  3  /  4  

A young man married is a man that 's marr'd. -All 's Well that Ends Well. Act ii. Sc. 3.

A young man married is a man that 's marr'd. -All 's Well that Ends Well. Act ii. Sc. 3.

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  6  /  9  

Many a time and oft In the Rialto you have rated me. -The Merchant of Venice. Act i. Sc. 3.

Many a time and oft In the Rialto you have rated me. -The Merchant of Venice. Act i. Sc. 3.

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  6  /  5  

The best in this kind are but shadows. -A Midsummer Night's Dream. Act v. Sc. 1.

The best in this kind are but shadows. -A Midsummer Night's Dream. Act v. Sc. 1.

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  2  /  2  

Halloo your name to the reverberate hills, And make the babbling gossip of the air Cry out. -Twelfth Night. Act read more

Halloo your name to the reverberate hills, And make the babbling gossip of the air Cry out. -Twelfth Night. Act i. Sc. 5.

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  8  /  10  

A good old man, sir; he will be talking: as they say, When the age is in the wit is read more

A good old man, sir; he will be talking: as they say, When the age is in the wit is out. -Much Ado about Nothing. Act iii. Sc. 5.

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This sickness doth infect The very life-blood of our enterprise. -King Henry IV. Part I. Act iv. Sc. 1.

This sickness doth infect The very life-blood of our enterprise. -King Henry IV. Part I. Act iv. Sc. 1.

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  12  /  9  

All the world 's a stage, And all the men and women merely players. They have their exits and their read more

All the world 's a stage, And all the men and women merely players. They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms. And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woful ballad Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard; Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side; His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything. -As You Like It. Act ii. Sc. 7.

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Poor deer, quoth he, thou makest a testament As worldlings do, giving thy sum of more To that which had read more

Poor deer, quoth he, thou makest a testament As worldlings do, giving thy sum of more To that which had too much. -As You Like It. Act ii. Sc. 1.

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Now would I give a thousand furlongs of sea for an acre of barren ground. -The Tempest. Act i. Sc. read more

Now would I give a thousand furlongs of sea for an acre of barren ground. -The Tempest. Act i. Sc. 1.

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