The genuine creator creates something that has a life of its own, something that can exist and function without him. This is true not only of the writer, artist and scientist, but of creators in other fields...With the noncreative it is the other way around: in whatever they do, they arrange things so that they themselves become indispensable.
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It is perhaps not entirely so, though it has often been said, that man makes his God in his own read more
It is perhaps not entirely so, though it has often been said, that man makes his God in his own image. Rather does he create Him in the image of his cravings and dreams- in the image of what man wants to be. God making could be part of the process by which a society realizes its aspirations: it first embodies them in the conception of a particular God, and then proceeds to imitate that God. The confidence requisite for attempting the unprecedented is most effectively generated by the fiction that in realizing the new we are imitating rather than originating. Our preoccupation with heaven can be part of an effort to find precedents for the unprecedented.
The question is not whether we will be extremists, but what kind of extremists we will be...The nation and the read more
The question is not whether we will be extremists, but what kind of extremists we will be...The nation and the world are in dire need of creative extremists.
Fear comes from uncertainty. When we are absolutely certain, whether of our worth or our worthlessness, we are almost impervious read more
Fear comes from uncertainty. When we are absolutely certain, whether of our worth or our worthlessness, we are almost impervious to fear. Thus a feeling of utter worthlessness can be a source of courage.
Quite often in history action has been the echo of words. An era of talk was followed by an era read more
Quite often in history action has been the echo of words. An era of talk was followed by an era of events. The new barbarism of the twentieth century is the echo of words bandied about by brilliant speakers and writers in the second half of the nineteenth.
What information consumes is rather obvious: It consumes the attention of its recipients. Hence a wealth of information creates a read more
What information consumes is rather obvious: It consumes the attention of its recipients. Hence a wealth of information creates a poverty of attention.
Our originality shows itself most strikingly not in what we wholly originate but in what we do with that which read more
Our originality shows itself most strikingly not in what we wholly originate but in what we do with that which we borrow from others.
There is an accumulative cruelty in a number of men, though none in particular are ill-natured.
There is an accumulative cruelty in a number of men, though none in particular are ill-natured.
Art should be appreciated with passion and violence, not with a tepid, deprecating elegance that fears the censoriousness of a read more
Art should be appreciated with passion and violence, not with a tepid, deprecating elegance that fears the censoriousness of a common room.
Reason is the main resource of man in his struggle for survival.
Reason is the main resource of man in his struggle for survival.
