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Consider yourself as always wrong, as having gone aside, and lost your right path, when any delight, desire, or trouble, read more
Consider yourself as always wrong, as having gone aside, and lost your right path, when any delight, desire, or trouble, is suffered to live in you, that cannot be made a part of this prayer of the heart to God. For nothing so infallibly shows us the true state of our heart, as that which gives us either delight or trouble; for as our delight and trouble is, so is the state of our heart: if therefore you are carried away with any trouble or delight, that has not an immediate relation to your progress in the divine life, you may be assured your heart is not in its right state of prayer to God. [Continued tomorrow].
Commemoration of William Morris, Artist, Writer, 1896 Commemoration of George Kennedy Bell, Bishop of Chichester, Ecumenist, Peacemaker, 1958 read more
Commemoration of William Morris, Artist, Writer, 1896 Commemoration of George Kennedy Bell, Bishop of Chichester, Ecumenist, Peacemaker, 1958 Thus was the Cross of Christ, in St. Paul's day, the glory of Christians; not as it signified their not being ashamed to own a master that was crucified, but as it signified their glorying in a religion which was nothing else but a doctrine of the Cross that called them to the same suffering spirit, the same sacrifice of themselves, the same renunciation of the world, the same humility and meekness, the same patient bearing of injuries, reproaches and contempts, and the same dying to all the greatness, honours, and happiness of this world, which Christ showed on the Cross.
Continuing a Lenten series on prayer: I have called my material surroundings a stage set. In this I can read more
Continuing a Lenten series on prayer: I have called my material surroundings a stage set. In this I can act. And you may well say "act". For what I call "myself" (for all practical, everyday purposes) is also a dramatic construction; memories, glimpses in the shavinglass, and snatches of the very fallible activity called "introspection", are the principal ingredients. Normally I call this construction "me"' and the stage set "the real world". Now the moment of prayer is for me -- or involves for me as its condition -- the awareness, the reawakened awareness, that this "real world" and "real self" are very far from being rock-bottom realities. I cannot, in the flesh, leave the stage, either to go behind the scenes or to take my seat in the pit; but I can remember that these regions exist. And I also remember that my apparent self -- this clown or hero or super -- under his grease-paint is a real person with an off-stage life. The dramatic person could not tread the stage unless he concealed a real person: unless the real and unknown I existed, I would not even make mistakes about the imagined me. And in prayer this real I struggles to speak, for once, from his real being, and to address, for once, not the other actors, but -- what shall I call Him? The Author, for He invented us all? The Producer, for He controls all? Or the Audience, for He watches, and will judge, the performance?
This is our great need, to be more like Christ, that His likeness may be seen in our lives; and read more
This is our great need, to be more like Christ, that His likeness may be seen in our lives; and this is just what is promised to us as we yield ourselves in full surrender to the working of His Spirit. Then, as we draw nearer to Christ, we shall be drawn nearer to His people; and in our search for unity with the members we shall be drawn closer to the Head.
Even in a day of overdone distinctions, one might point out that interpretations are not properly to be classified as read more
Even in a day of overdone distinctions, one might point out that interpretations are not properly to be classified as historical or dogmatic, but as true or false. If they are false, it does not matter whether they be called dogmatic or historical; and if they are true, they may quite well be both.
A good preacher should have these qualities and virtues: first, to teach systematically; second, he should have a ready wit; read more
A good preacher should have these qualities and virtues: first, to teach systematically; second, he should have a ready wit; third, he should be eloquent; fourth, he should have a good voice; fifth, a good memory; sixth, he should know when to make an end; seventh, he should be sure of his doctrine; eighth, he should venture and engage body and blood, wealth and honor, in the world; ninth, he should suffer himself to be mocked and jeered of everyone.
It is as reasonable to suppose it the desire of all Christians to arrive at Christian perfection as to suppose read more
It is as reasonable to suppose it the desire of all Christians to arrive at Christian perfection as to suppose that all sick men desire to be restored to perfect health; yet experience shows us, that nothing wants more to be pressed, repeated, and forced upon our minds, than the plainest rules of Christianity.
Feast of Josephine Butler, Social Reformer, 1906 Commemoration of Apolo Kivebulaya, Priest, Evangelist, 1933 [Christ] tells us plainly, and read more
Feast of Josephine Butler, Social Reformer, 1906 Commemoration of Apolo Kivebulaya, Priest, Evangelist, 1933 [Christ] tells us plainly, and without any qualifications, that we are involved in a war in which there is no room for neutrals. Yet people attempt to evade His statement. Generally speaking, these are the very people who are the quickest in laying the blame upon God for all the sorrow and sin in the world. They argue that He could prevent it. They excuse their own do-nothing attitude by making of evil's apparent predominance a ground for doubt of His loving kindness. It never seems to occur to them to look for the cause in mankind.
In all our criticism and near-despair of the institutional Church, it should never be forgotten that many powers and possibilities read more
In all our criticism and near-despair of the institutional Church, it should never be forgotten that many powers and possibilities really exist in it, but often in captivity; they exist as frozen credits and dead capital.