We need a type of theatre which not only releases the feelings, insights and impulses possible within the particular historical read more

We need a type of theatre which not only releases the feelings, insights and impulses possible within the particular historical field of human relations in which the action takes place, but employs and encourages those thoughts and feelings which help transform the field itself.

For my part, I confess I seldom listen to the players: one has so much to do, in looking about read more

For my part, I confess I seldom listen to the players: one has so much to do, in looking about and finding out one's acquaintance, that, really, one has no time to mind the stage. One merely comes to meet one's friends, and show that one's alive.

You can throw away the privilege of acting, but that would be such a shame. The tribe has elected you read more

You can throw away the privilege of acting, but that would be such a shame. The tribe has elected you to tell its story. You are the shaman/healer, that's what the storyteller is, and I think it's important for actors to appreciate that. Too often actors think it's all about them, when in reality it's all about the audience being able to recognize themselves in you. The more you pull away from the public, the less power you have on screen.

You need three things in the theater - the play, the actors and the audience, - and each must give read more

You need three things in the theater - the play, the actors and the audience, - and each must give something

Coughing in the theater is not a respiratory ailment. It is a criticism.

Coughing in the theater is not a respiratory ailment. It is a criticism.

The center of the stage is where I am.

The center of the stage is where I am.

I believe that in a great city, or even in a small city or a village, a great theater is read more

I believe that in a great city, or even in a small city or a village, a great theater is the outward and visible sign of an inward and probable culture.

It's one of the tragic ironies of the theatre that only one man in it can count on steady work read more

It's one of the tragic ironies of the theatre that only one man in it can count on steady work -- the night watchman.

To save the theatre, the theatre must be destroyed, the actors and actresses must all die of the plague. They read more

To save the theatre, the theatre must be destroyed, the actors and actresses must all die of the plague. They poison the air, they make art impossible. It is not drama that they play, but pieces for the theatre. We should return to the Greeks, play in the open air; the drama dies of stalls and boxes and evening dress, and people who come to digest their dinner.