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For my part, I confess I seldom listen to the players: one has so much to do, in looking about read more
For my part, I confess I seldom listen to the players: one has so much to do, in looking about and finding out one's acquaintance, that, really, one has no time to mind the stage. One merely comes to meet one's friends, and show that one's alive.
The theater needs continual reminders that there is nothing more debasing than the work of those who do well what read more
The theater needs continual reminders that there is nothing more debasing than the work of those who do well what is not worth doing at all.
It's one of the tragic ironies of the theatre that only one man in it can count on steady work read more
It's one of the tragic ironies of the theatre that only one man in it can count on steady work -- the night watchman.
All of the arts, poetry, music, ritual, the visible arts, the theater, must singly and together create the most comprehensive read more
All of the arts, poetry, music, ritual, the visible arts, the theater, must singly and together create the most comprehensive art of all, a humanized society, and its masterpiece, free man
I believe that in a great city, or even in a small city or a village, a great theater is read more
I believe that in a great city, or even in a small city or a village, a great theater is the outward and visible sign of an inward and probable culture.
Theatergoing is a communal act, movie going a solitary one.
Theatergoing is a communal act, movie going a solitary one.
My playground was the theatre. I'd sit and watch my mother pretend for a living. As a young girl, that's read more
My playground was the theatre. I'd sit and watch my mother pretend for a living. As a young girl, that's pretty seductive.
Coughing in the theater is not a respiratory ailment. It is a criticism.
Coughing in the theater is not a respiratory ailment. It is a criticism.
We need a type of theatre which not only releases the feelings, insights and impulses possible within the particular historical read more
We need a type of theatre which not only releases the feelings, insights and impulses possible within the particular historical field of human relations in which the action takes place, but employs and encourages those thoughts and feelings which help transform the field itself.