The stage is not merely the meeting place of all the arts, but is also the return of art to read more

The stage is not merely the meeting place of all the arts, but is also the return of art to life.

To save the theatre, the theatre must be destroyed, the actors and actresses must all die of the plague. They read more

To save the theatre, the theatre must be destroyed, the actors and actresses must all die of the plague. They poison the air, they make art impossible. It is not drama that they play, but pieces for the theatre. We should return to the Greeks, play in the open air; the drama dies of stalls and boxes and evening dress, and people who come to digest their dinner.

The center of the stage is where I am.

The center of the stage is where I am.

It's one of the tragic ironies of the theatre that only one man in it can count on steady work read more

It's one of the tragic ironies of the theatre that only one man in it can count on steady work -- the night watchman.

You need three things in the theater - the play, the actors and the audience, - and each must give read more

You need three things in the theater - the play, the actors and the audience, - and each must give something

Coughing in the theater is not a respiratory ailment. It is a criticism.

Coughing in the theater is not a respiratory ailment. It is a criticism.

The theater is so endlessly fascinating because it's so accidental. It's so much like life.

The theater is so endlessly fascinating because it's so accidental. It's so much like life.

I believe that in a great city, or even in a small city or a village, a great theater is read more

I believe that in a great city, or even in a small city or a village, a great theater is the outward and visible sign of an inward and probable culture.

We need a type of theatre which not only releases the feelings, insights and impulses possible within the particular historical read more

We need a type of theatre which not only releases the feelings, insights and impulses possible within the particular historical field of human relations in which the action takes place, but employs and encourages those thoughts and feelings which help transform the field itself.