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My playground was the theatre. I'd sit and watch my mother pretend for a living. As a young girl, that's read more
My playground was the theatre. I'd sit and watch my mother pretend for a living. As a young girl, that's pretty seductive.
For my part, I confess I seldom listen to the players: one has so much to do, in looking about read more
For my part, I confess I seldom listen to the players: one has so much to do, in looking about and finding out one's acquaintance, that, really, one has no time to mind the stage. One merely comes to meet one's friends, and show that one's alive.
You need three things in the theater - the play, the actors and the audience, - and each must give read more
You need three things in the theater - the play, the actors and the audience, - and each must give something
You can throw away the privilege of acting, but that would be such a shame. The tribe has elected you read more
You can throw away the privilege of acting, but that would be such a shame. The tribe has elected you to tell its story. You are the shaman/healer, that's what the storyteller is, and I think it's important for actors to appreciate that. Too often actors think it's all about them, when in reality it's all about the audience being able to recognize themselves in you. The more you pull away from the public, the less power you have on screen.
We are in the black theater of nonexistence. In an eye blink the curtain is up, the stage ablaze, for read more
We are in the black theater of nonexistence. In an eye blink the curtain is up, the stage ablaze, for the vast drama of ourselves.
The virtue of dress rehearsals is that they are a free show for a select group of artists and friends read more
The virtue of dress rehearsals is that they are a free show for a select group of artists and friends of the author, and where for one unique evening the audience is almost expurgated of idiots.
We need a type of theatre which not only releases the feelings, insights and impulses possible within the particular historical read more
We need a type of theatre which not only releases the feelings, insights and impulses possible within the particular historical field of human relations in which the action takes place, but employs and encourages those thoughts and feelings which help transform the field itself.
In the theater the audience wants to be surprised but by things that they expect
In the theater the audience wants to be surprised but by things that they expect
The center of the stage is where I am.
The center of the stage is where I am.