The stage is not merely the meeting place of all the arts, but is also the return of art to read more

The stage is not merely the meeting place of all the arts, but is also the return of art to life.

You need three things in the theater - the play, the actors and the audience, - and each must give read more

You need three things in the theater - the play, the actors and the audience, - and each must give something

For my part, I confess I seldom listen to the players: one has so much to do, in looking about read more

For my part, I confess I seldom listen to the players: one has so much to do, in looking about and finding out one's acquaintance, that, really, one has no time to mind the stage. One merely comes to meet one's friends, and show that one's alive.

No theater could sanely flourish until there was an umbilical connection between what was happening on the stage and what read more

No theater could sanely flourish until there was an umbilical connection between what was happening on the stage and what was happening in the world.

The center of the stage is where I am.

The center of the stage is where I am.

The virtue of dress rehearsals is that they are a free show for a select group of artists and friends read more

The virtue of dress rehearsals is that they are a free show for a select group of artists and friends of the author, and where for one unique evening the audience is almost expurgated of idiots.

To save the theatre, the theatre must be destroyed, the actors and actresses must all die of the plague. They read more

To save the theatre, the theatre must be destroyed, the actors and actresses must all die of the plague. They poison the air, they make art impossible. It is not drama that they play, but pieces for the theatre. We should return to the Greeks, play in the open air; the drama dies of stalls and boxes and evening dress, and people who come to digest their dinner.

I just love, I love, I love movies.

I just love, I love, I love movies.

We need a type of theatre which not only releases the feelings, insights and impulses possible within the particular historical read more

We need a type of theatre which not only releases the feelings, insights and impulses possible within the particular historical field of human relations in which the action takes place, but employs and encourages those thoughts and feelings which help transform the field itself.