But love is blind, and lovers cannot see The pretty follies that themselves commit. -The Merchant of Venice. Act ii. read more

But love is blind, and lovers cannot see The pretty follies that themselves commit. -The Merchant of Venice. Act ii. Sc. 6.

I had rather than forty shillings I had my Book of Songs and Sonnets here. -The Merry Wives of Windsor. read more

I had rather than forty shillings I had my Book of Songs and Sonnets here. -The Merry Wives of Windsor. Act i. Sc. 1.

The big round tears Coursed one another down his innocent nose In piteous chase. -As You Like It. Act ii. read more

The big round tears Coursed one another down his innocent nose In piteous chase. -As You Like It. Act ii. Sc. 1.

The setting sun, and music at the close, As the last taste of sweets, is sweetest last, Writ in remembrance read more

The setting sun, and music at the close, As the last taste of sweets, is sweetest last, Writ in remembrance more than things long past. -King Richard II. Act ii. Sc. 1.

Love sought is good, but given unsought is better. -Twelfth Night. Act iii. Sc. 1.

Love sought is good, but given unsought is better. -Twelfth Night. Act iii. Sc. 1.

Now you who rhyme, and I who rhyme,
Have not we sworn it, many a time,
That read more

Now you who rhyme, and I who rhyme,
Have not we sworn it, many a time,
That we no more our verse would scrawl,
For Shakespeare he had said it all!

A woman moved is like a fountain troubled,— Muddy, ill-seeming, thick, bereft of beauty. -The Taming of the Shrew. Act read more

A woman moved is like a fountain troubled,— Muddy, ill-seeming, thick, bereft of beauty. -The Taming of the Shrew. Act v. Sc. 2.

Then come kiss me, sweet and twenty. -Twelfth Night. Act ii. Sc. 3.

Then come kiss me, sweet and twenty. -Twelfth Night. Act ii. Sc. 3.

An honest tale speeds best, being plainly told. -King Richard III. Act iv. Sc. 4.

An honest tale speeds best, being plainly told. -King Richard III. Act iv. Sc. 4.