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O, good old man, how well in thee appears The constant service of the antique world, When service sweat for read more
O, good old man, how well in thee appears The constant service of the antique world, When service sweat for duty, not for meed! Thou art not for the fashion of these times, Where none will sweat but for promotion. -As You Like It. Act ii. Sc. 3.
This figure that thou here seest put,
It was for gentle Shakespeare cut,
Wherein the graver had read more
This figure that thou here seest put,
It was for gentle Shakespeare cut,
Wherein the graver had a strife
With Nature, to outdo the life:
Oh, could he but have drawn his wit
As well in brass, as he has hit
His face, the print would then surpass
All that was ever writ in brass;
But since he cannot, reader, look
Not on his picture, but his book.
Give me another horse: bind up my wounds. -King Richard III. Act v. Sc. 3.
Give me another horse: bind up my wounds. -King Richard III. Act v. Sc. 3.
From women's eyes this doctrine I derive: They sparkle still the right Promethean fire; They are the books, the arts, read more
From women's eyes this doctrine I derive: They sparkle still the right Promethean fire; They are the books, the arts, the academes, That show, contain, and nourish all the world. -Love's Labour 's Lost. Act iv. Sc. 3.
All the world 's a stage, And all the men and women merely players. They have their exits and their read more
All the world 's a stage, And all the men and women merely players. They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms. And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woful ballad Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard; Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side; His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything. -As You Like It. Act ii. Sc. 7.
O base Hungarian wight! wilt thou the spigot wield? -The Merry Wives of Windsor. Act i. Sc. 3.
O base Hungarian wight! wilt thou the spigot wield? -The Merry Wives of Windsor. Act i. Sc. 3.
The pleasing punishment that women bear. -The Comedy of Errors. Act i. Sc. 1.
The pleasing punishment that women bear. -The Comedy of Errors. Act i. Sc. 1.
Oft expectation fails, and most oft there Where most it promises. -All 's Well that Ends Well. Act ii. Sc. read more
Oft expectation fails, and most oft there Where most it promises. -All 's Well that Ends Well. Act ii. Sc. 1.
I am a Jew. Hath not a Jew eyes? Hath not a Jew hands, organs, dimensions, senses, affections, passions? -The read more
I am a Jew. Hath not a Jew eyes? Hath not a Jew hands, organs, dimensions, senses, affections, passions? -The Merchant of Venice. Act iii. Sc. 1.
