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Mark now, how a plain tale shall put you down. -King Henry IV. Part I. Act ii. Sc. 4.
Mark now, how a plain tale shall put you down. -King Henry IV. Part I. Act ii. Sc. 4.
There, at the moated grange, resides this dejected Mariana. -Measure for Measure. Act iii. Sc. 1.
There, at the moated grange, resides this dejected Mariana. -Measure for Measure. Act iii. Sc. 1.
Deeper than e'er plummet sounded. -The Tempest. Act iii. Sc. 3.
Deeper than e'er plummet sounded. -The Tempest. Act iii. Sc. 3.
Banish plump Jack, and banish all the world. -King Henry IV. Part I. Act ii. Sc. 4.
Banish plump Jack, and banish all the world. -King Henry IV. Part I. Act ii. Sc. 4.
Except I be by Sylvia in the night, There is no music in the nightingale. -The Two Gentleman of Verona. read more
Except I be by Sylvia in the night, There is no music in the nightingale. -The Two Gentleman of Verona. Act iii. Sc. 1.
O, wonderful, wonderful, and most wonderful wonderful! and yet again wonderful, and after that out of all hooping. -As You read more
O, wonderful, wonderful, and most wonderful wonderful! and yet again wonderful, and after that out of all hooping. -As You Like It. Act iii. Sc. 2.
He is of a very melancholy disposition. -Much Ado about Nothing. Act i. Sc. 1.
He is of a very melancholy disposition. -Much Ado about Nothing. Act i. Sc. 1.
When daisies pied and violets blue, And lady-smocks all silver-white, And cuckoo-buds of yellow hue Do paint the meadows with read more
When daisies pied and violets blue, And lady-smocks all silver-white, And cuckoo-buds of yellow hue Do paint the meadows with delight, The cuckoo then, on every tree, Mocks married men. -Love's Labour 's Lost. Act v. Sc. 2.
Why should a man whose blood is warm within, Sit like his grandsire cut in alabaster? -The Merchant of Venice. read more
Why should a man whose blood is warm within, Sit like his grandsire cut in alabaster? -The Merchant of Venice. Act i. Sc. 1.
