Falstaff sweats to death, And lards the lean earth as he walks along. -King Henry IV. Part I. Act ii. read more

Falstaff sweats to death, And lards the lean earth as he walks along. -King Henry IV. Part I. Act ii. Sc. 2.

Is it so nominated in the bond? -The Merchant of Venice. Act iv. Sc. 1.

Is it so nominated in the bond? -The Merchant of Venice. Act iv. Sc. 1.

An honest exceeding poor man. -The Merchant of Venice. Act ii. Sc. 2.

An honest exceeding poor man. -The Merchant of Venice. Act ii. Sc. 2.

There is a river in Macedon; and there is also moreover a river at Monmouth;… and there is salmons in read more

There is a river in Macedon; and there is also moreover a river at Monmouth;… and there is salmons in both. -King Henry V. Act iv. Sc. 7.

All the world 's a stage, And all the men and women merely players. They have their exits and their read more

All the world 's a stage, And all the men and women merely players. They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms. And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woful ballad Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard; Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side; His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything. -As You Like It. Act ii. Sc. 7.

When he is best, he is a little worse than a man; and when he is worst, he is little read more

When he is best, he is a little worse than a man; and when he is worst, he is little better than a beast. -The Merchant of Venice. Act i. Sc. 2.

What 's gone and what 's past help Should be past grief. -The Winter's Tale. Act iii. Sc. 2.

What 's gone and what 's past help Should be past grief. -The Winter's Tale. Act iii. Sc. 2.

I am Sir Oracle, And when I ope my lips, let no dog bark! -The Merchant of Venice. Act i. read more

I am Sir Oracle, And when I ope my lips, let no dog bark! -The Merchant of Venice. Act i. Sc. 1.

How sweet the moonlight sleeps upon this bank! Here we will sit and let the sounds of music Creep in read more

How sweet the moonlight sleeps upon this bank! Here we will sit and let the sounds of music Creep in our ears: soft stillness and the night Become the touches of sweet harmony. Sit, Jessica. Look how the floor of heaven Is thick inlaid with patines of bright gold: There 's not the smallest orb which thou behold'st But in his motion like an angel sings, Still quiring to the young-eyed cherubins. Such harmony is in immortal souls; But whilst this muddy vesture of decay Doth grossly close it in, we cannot hear it. -The Merchant of Venice. Act. v. Sc. 1.