Many-headed multitude. -Coriolanus. Act ii. Sc. 3.

Many-headed multitude. -Coriolanus. Act ii. Sc. 3.

Lie ten nights awake, carving the fashion of a new doublet. He was wont to speak plain and to the read more

Lie ten nights awake, carving the fashion of a new doublet. He was wont to speak plain and to the purpose. -Much Ado about Nothing. Act ii. Sc. 3.

I am Sir Oracle, And when I ope my lips, let no dog bark! -The Merchant of Venice. Act i. read more

I am Sir Oracle, And when I ope my lips, let no dog bark! -The Merchant of Venice. Act i. Sc. 1.

And then to breakfast with What appetite you have. -King Henry VIII. Act iii. Sc. 2.

And then to breakfast with What appetite you have. -King Henry VIII. Act iii. Sc. 2.

As sweet and musical As bright Apollo's lute, strung with his hair; And when Love speaks, the voice of all read more

As sweet and musical As bright Apollo's lute, strung with his hair; And when Love speaks, the voice of all the gods Makes heaven drowsy with the harmony. -Love's Labour 's Lost. Act iv. Sc. 3.

Under which king, Bezonian? speak, or die! -King Henry IV. Part II. Act v. Sc. 3.

Under which king, Bezonian? speak, or die! -King Henry IV. Part II. Act v. Sc. 3.

The very staff of my age, my very prop. -The Merchant of Venice. Act ii. Sc. 2.

The very staff of my age, my very prop. -The Merchant of Venice. Act ii. Sc. 2.

My purpose is, indeed, a horse of that colour. -Twelfth Night. Act ii. Sc. 3.

My purpose is, indeed, a horse of that colour. -Twelfth Night. Act ii. Sc. 3.

He was indeed the glass Wherein the noble youth did dress themselves. -King Henry IV. Part II. Act ii. Sc. read more

He was indeed the glass Wherein the noble youth did dress themselves. -King Henry IV. Part II. Act ii. Sc. 3.