I thank you for your voices: thank you: Your most sweet voices. -Coriolanus. Act ii. Sc. 3.

I thank you for your voices: thank you: Your most sweet voices. -Coriolanus. Act ii. Sc. 3.

A child of our grandmother Eve, a female; or, for thy more sweet understanding, a woman. -Love's Labour 's Lost. read more

A child of our grandmother Eve, a female; or, for thy more sweet understanding, a woman. -Love's Labour 's Lost. Act i. Sc. 1.

Superfluity comes sooner by white hairs, but competency lives longer. -The Merchant of Venice. Act i. Sc. 2.

Superfluity comes sooner by white hairs, but competency lives longer. -The Merchant of Venice. Act i. Sc. 2.

In those holy fields Over whose acres walked those blessed feet Which fourteen hundred years ago were nail'd For our read more

In those holy fields Over whose acres walked those blessed feet Which fourteen hundred years ago were nail'd For our advantage on the bitter cross. -King Henry IV. Part I. Act i. Sc. 1.

Like a fair house, built on another man's ground. -The Merry Wives of Windsor. Act ii. Sc. 2.

Like a fair house, built on another man's ground. -The Merry Wives of Windsor. Act ii. Sc. 2.

Make the coming hour o'erflow with joy, And pleasure drown the brim. -All 's Well that Ends Well. Act ii. read more

Make the coming hour o'erflow with joy, And pleasure drown the brim. -All 's Well that Ends Well. Act ii. Sc. 4.

Two lovely berries moulded on one stem. -A Midsummer Night's Dream. Act iii. Sc. 2.

Two lovely berries moulded on one stem. -A Midsummer Night's Dream. Act iii. Sc. 2.

So we grew together, Like to a double cherry, seeming parted, But yet an union in partition. -A Midsummer Night's read more

So we grew together, Like to a double cherry, seeming parted, But yet an union in partition. -A Midsummer Night's Dream. Act iii. Sc. 2.

I have an exposition of sleep come upon me. -A Midsummer Night's Dream. Act iv. Sc. 1.

I have an exposition of sleep come upon me. -A Midsummer Night's Dream. Act iv. Sc. 1.