Truth is truth To the end of reckoning. -Measure for Measure. Act v. Sc. 1.

Truth is truth To the end of reckoning. -Measure for Measure. Act v. Sc. 1.

True hope is swift, and flies with swallow's wings; Kings it makes gods, and meaner creatures kings. -King Richard III. read more

True hope is swift, and flies with swallow's wings; Kings it makes gods, and meaner creatures kings. -King Richard III. Act v. Sc. 2.

They say miracles are past. -All 's Well that Ends Well. Act ii. Sc. 3.

They say miracles are past. -All 's Well that Ends Well. Act ii. Sc. 3.

I have had my labour for my travail. -Troilus and Cressida. Act i. Sc. 1.

I have had my labour for my travail. -Troilus and Cressida. Act i. Sc. 1.

An honest tale speeds best, being plainly told. -King Richard III. Act iv. Sc. 4.

An honest tale speeds best, being plainly told. -King Richard III. Act iv. Sc. 4.

Let 's talk of graves, of worms, and epitaphs. -King Richard II. Act iii. Sc. 2.

Let 's talk of graves, of worms, and epitaphs. -King Richard II. Act iii. Sc. 2.

This is the third time; I hope good luck lies in odd numbers…. There is divinity in odd numbers, either read more

This is the third time; I hope good luck lies in odd numbers…. There is divinity in odd numbers, either in nativity, chance, or death. -The Merry Wives of Windsor. Act v. Sc. 1.

They have measured many a mile To tread a measure with you on this grass. -Love's Labour 's Lost. Act read more

They have measured many a mile To tread a measure with you on this grass. -Love's Labour 's Lost. Act v. Sc. 2.

All the world 's a stage, And all the men and women merely players. They have their exits and their read more

All the world 's a stage, And all the men and women merely players. They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms. And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woful ballad Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard; Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side; His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything. -As You Like It. Act ii. Sc. 7.