An honest exceeding poor man. -The Merchant of Venice. Act ii. Sc. 2.

An honest exceeding poor man. -The Merchant of Venice. Act ii. Sc. 2.

I thank thee, Jew, for teaching me that word. -The Merchant of Venice. Act iv. Sc. 1.

I thank thee, Jew, for teaching me that word. -The Merchant of Venice. Act iv. Sc. 1.

Our compell'd sins Stand more for number than for accompt. -Measure for Measure. Act ii. Sc. 4.

Our compell'd sins Stand more for number than for accompt. -Measure for Measure. Act ii. Sc. 4.

This is very midsummer madness. -Twelfth Night. Act iii. Sc. 4.

This is very midsummer madness. -Twelfth Night. Act iii. Sc. 4.

Why should a man whose blood is warm within, Sit like his grandsire cut in alabaster? -The Merchant of Venice. read more

Why should a man whose blood is warm within, Sit like his grandsire cut in alabaster? -The Merchant of Venice. Act i. Sc. 1.

I 'll speak in a monstrous little voice. -A Midsummer Night's Dream. Act i. Sc. 2.

I 'll speak in a monstrous little voice. -A Midsummer Night's Dream. Act i. Sc. 2.

Every one fault seeming monstrous till his fellow-fault came to match it. -As You Like It. Act iii. Sc. 2.

Every one fault seeming monstrous till his fellow-fault came to match it. -As You Like It. Act iii. Sc. 2.

When great poets sing,
Into the night new constellations spring,
With music in the air that dulls read more

When great poets sing,
Into the night new constellations spring,
With music in the air that dulls the craft
Of rhetoric. So when Shakespeare sang or laughed
The world with long, sweet Alpine echoes thrilled
Voiceless to scholars' tongues no muse had filled
With melody divine.

I charge thee, fling away ambition: By that sin fell the angels. -King Henry VIII. Act iii. Sc. 2.

I charge thee, fling away ambition: By that sin fell the angels. -King Henry VIII. Act iii. Sc. 2.