All the world 's a stage, And all the men and women merely players. They have their exits and their read more

All the world 's a stage, And all the men and women merely players. They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms. And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woful ballad Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard; Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side; His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything. -As You Like It. Act ii. Sc. 7.

I think we do know the sweet Roman hand. -Twelfth Night. Act iii. Sc. 4.

I think we do know the sweet Roman hand. -Twelfth Night. Act iii. Sc. 4.

And he that stands upon a slippery place Makes nice of no vile hold to stay him up. -King John. read more

And he that stands upon a slippery place Makes nice of no vile hold to stay him up. -King John. Act iii. Sc. 4.

Yet in bestowing, madam, He was most princely. -King Henry VIII. Act iv. Sc. 2.

Yet in bestowing, madam, He was most princely. -King Henry VIII. Act iv. Sc. 2.

Another lean unwashed artificer. -King John. Act iv. Sc. 2.

Another lean unwashed artificer. -King John. Act iv. Sc. 2.

O Proserpina, For the flowers now, that frighted thou let'st fall From Dis's waggon! daffodils, That come before the swallow read more

O Proserpina, For the flowers now, that frighted thou let'st fall From Dis's waggon! daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phœbus in his strength,—a malady Most incident to maids; bold oxlips and The crown imperial; lilies of all kinds, The flower-de-luce being one. -The Winter's Tale. Act iv. Sc. 4.

This will last out a night in Russia, When nights are longest there. -Measure for Measure. Act ii. Sc. 1.

This will last out a night in Russia, When nights are longest there. -Measure for Measure. Act ii. Sc. 1.

He makes sweet music with th' enamell'd stones, Giving a gentle kiss to every sedge He overtaketh in his pilgrimage. read more

He makes sweet music with th' enamell'd stones, Giving a gentle kiss to every sedge He overtaketh in his pilgrimage. -The Two Gentleman of Verona. Act ii. Sc. 7.

And sheathed their swords for lack of argument. -King Henry V. Act iii. Sc. 1.

And sheathed their swords for lack of argument. -King Henry V. Act iii. Sc. 1.