Masters, it is proved already that you are little better than false knaves; and it will go near to be read more

Masters, it is proved already that you are little better than false knaves; and it will go near to be thought so shortly. -Much Ado about Nothing. Act iv. Sc. 2.

No profit grows where is no pleasure ta'en; In brief, sir, study what you most affect. -The Taming of the read more

No profit grows where is no pleasure ta'en; In brief, sir, study what you most affect. -The Taming of the Shrew. Act i. Sc. 1.

Not all the water in the rough rude sea Can wash the balm off from an anointed king. -King Richard read more

Not all the water in the rough rude sea Can wash the balm off from an anointed king. -King Richard II. Act iii. Sc. 2.

O Proserpina, For the flowers now, that frighted thou let'st fall From Dis's waggon! daffodils, That come before the swallow read more

O Proserpina, For the flowers now, that frighted thou let'st fall From Dis's waggon! daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phœbus in his strength,—a malady Most incident to maids; bold oxlips and The crown imperial; lilies of all kinds, The flower-de-luce being one. -The Winter's Tale. Act iv. Sc. 4.

Is there no respect of place, persons, nor time in you? -Twelfth Night. Act ii. Sc. 3.

Is there no respect of place, persons, nor time in you? -Twelfth Night. Act ii. Sc. 3.

All the world 's a stage, And all the men and women merely players. They have their exits and their read more

All the world 's a stage, And all the men and women merely players. They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms. And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woful ballad Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard; Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side; His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything. -As You Like It. Act ii. Sc. 7.

The Retort Courteous;… the Quip Modest;… the Reply Churlish;… the Reproof Valiant;… the Countercheck Quarrelsome;… the Lie with Circumstance;… the read more

The Retort Courteous;… the Quip Modest;… the Reply Churlish;… the Reproof Valiant;… the Countercheck Quarrelsome;… the Lie with Circumstance;… the Lie Direct. -As You Like It. Act v. Sc. 4.

For the rain it raineth every day. -Twelfth Night. Act v. Sc. 1.

For the rain it raineth every day. -Twelfth Night. Act v. Sc. 1.

What 's mine is yours, and what is yours is mine. -Measure for Measure. Act v. Sc. 1.

What 's mine is yours, and what is yours is mine. -Measure for Measure. Act v. Sc. 1.