All lovers swear more performance than they are able, and yet reserve an ability that they never perform; vowing more read more

All lovers swear more performance than they are able, and yet reserve an ability that they never perform; vowing more than the perfection of ten, and discharging less than the tenth part of one. -Troilus and Cressida. Act iii. Sc. 2.

Fires the proud tops of the eastern pines. -King Richard II. Act iii. Sc. 2.

Fires the proud tops of the eastern pines. -King Richard II. Act iii. Sc. 2.

Time travels in divers paces with divers persons. I 'll tell you who Time ambles withal, who Time trots withal, read more

Time travels in divers paces with divers persons. I 'll tell you who Time ambles withal, who Time trots withal, who Time gallops withal, and who he stands still withal. -As You Like It. Act iii. Sc. 2.

O, what men dare do! what men may do! what men daily do, not knowing what they do! -Much Ado read more

O, what men dare do! what men may do! what men daily do, not knowing what they do! -Much Ado about Nothing. Act iv. Sc. 1.

All the world 's a stage, And all the men and women merely players. They have their exits and their read more

All the world 's a stage, And all the men and women merely players. They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms. And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woful ballad Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard; Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side; His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything. -As You Like It. Act ii. Sc. 7.

What point of morals, of manners, of economy, of philosophy, of
religion, of taste, of the conduct of life, read more

What point of morals, of manners, of economy, of philosophy, of
religion, of taste, of the conduct of life, has he not settled?
What mystery has he not signified his knowledge of? What office,
or function, or district of man's work, has he not remembered?
What king has he not taught state, as Talma taught Napoleon?
What maiden has not found him finer than her delicacy? What
lover has he not outloved? What sage has he not outseen? What
gentleman has he not instructed in the rudeness of his behavior?

There is some soul of goodness in things evil, Would men observingly distil it out. -King Henry V. Act iv. read more

There is some soul of goodness in things evil, Would men observingly distil it out. -King Henry V. Act iv. Sc. 1.

Who may, in the ambush of my name, strike home. -Measure for Measure. Act i. Sc. 3.

Who may, in the ambush of my name, strike home. -Measure for Measure. Act i. Sc. 3.

I have a kind of alacrity in sinking. -The Merry Wives of Windsor. Act iii. Sc. 5.

I have a kind of alacrity in sinking. -The Merry Wives of Windsor. Act iii. Sc. 5.