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He that hath a beard is more than a youth, and he that hath no beard is less than a read more
He that hath a beard is more than a youth, and he that hath no beard is less than a man. -Much Ado about Nothing. Act ii. Sc. 1.
There is some soul of goodness in things evil, Would men observingly distil it out. -King Henry V. Act iv. read more
There is some soul of goodness in things evil, Would men observingly distil it out. -King Henry V. Act iv. Sc. 1.
For ever and a day. -As You Like It. Act iv. Sc. 1.
For ever and a day. -As You Like It. Act iv. Sc. 1.
Tell me where is fancy bred, Or in the heart or in the head? How begot, how nourished? Reply, reply. read more
Tell me where is fancy bred, Or in the heart or in the head? How begot, how nourished? Reply, reply. -The Merchant of Venice. Act iii. Sc. 2.
All the world 's a stage, And all the men and women merely players. They have their exits and their read more
All the world 's a stage, And all the men and women merely players. They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms. And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woful ballad Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard; Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side; His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything. -As You Like It. Act ii. Sc. 7.
What 's gone and what 's past help Should be past grief. -The Winter's Tale. Act iii. Sc. 2.
What 's gone and what 's past help Should be past grief. -The Winter's Tale. Act iii. Sc. 2.
And the vile squeaking of the wry-necked fife. -The Merchant of Venice. Act ii. Sc. 5.
And the vile squeaking of the wry-necked fife. -The Merchant of Venice. Act ii. Sc. 5.
He draweth out the thread of his verbosity finer than the staple of his argument. -Love's Labour 's Lost. Act read more
He draweth out the thread of his verbosity finer than the staple of his argument. -Love's Labour 's Lost. Act v. Sc. 1.
Hereafter, in a better world than this, I shall desire more love and knowledge of you. -As You Like It. read more
Hereafter, in a better world than this, I shall desire more love and knowledge of you. -As You Like It. Act i. Sc. 2.