Under the shade of melancholy boughs, Lose and neglect the creeping hours of time; If ever you have look'd on read more

Under the shade of melancholy boughs, Lose and neglect the creeping hours of time; If ever you have look'd on better days, If ever been where bells have knoll'd to church, If ever sat at any good man's feast. -As You Like It. Act ii. Sc. 7.

Men have died from time to time, and worms have eaten them,—but not for love. -As You Like It. Act read more

Men have died from time to time, and worms have eaten them,—but not for love. -As You Like It. Act iv. Sc. 1.

Was ever woman in this humour wooed? Was ever woman in this humour won? -King Richard III. Act i. Sc. read more

Was ever woman in this humour wooed? Was ever woman in this humour won? -King Richard III. Act i. Sc. 2.

All the world 's a stage, And all the men and women merely players. They have their exits and their read more

All the world 's a stage, And all the men and women merely players. They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms. And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woful ballad Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard; Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side; His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything. -As You Like It. Act ii. Sc. 7.

As sweet and musical As bright Apollo's lute, strung with his hair; And when Love speaks, the voice of all read more

As sweet and musical As bright Apollo's lute, strung with his hair; And when Love speaks, the voice of all the gods Makes heaven drowsy with the harmony. -Love's Labour 's Lost. Act iv. Sc. 3.

Thy ignominy sleep with thee in the grave, But not remember'd in thy epitaph! -King Henry IV. Part I. Act read more

Thy ignominy sleep with thee in the grave, But not remember'd in thy epitaph! -King Henry IV. Part I. Act v. Sc. 4.

Falstaff sweats to death, And lards the lean earth as he walks along. -King Henry IV. Part I. Act ii. read more

Falstaff sweats to death, And lards the lean earth as he walks along. -King Henry IV. Part I. Act ii. Sc. 2.

Their lips were four red roses on a stalk. -King Richard III. Act iv. Sc. 3.

Their lips were four red roses on a stalk. -King Richard III. Act iv. Sc. 3.

This royal throne of kings, this sceptred isle, This earth of majesty, this seat of Mars, This other Eden, demi-paradise, read more

This royal throne of kings, this sceptred isle, This earth of majesty, this seat of Mars, This other Eden, demi-paradise, This fortress built by Nature for herself Against infection and the hand of war, This happy breed of men, this little world, This precious stone set in the silver sea, Which serves it in the office of a wall Or as a moat defensive to a house, Against the envy of less happier lands,— This blessed plot, this earth, this realm, this England. -King Richard II. Act ii. Sc. 1.