A horse! a horse! my kingdom for a horse! -King Richard III. Act v. Sc. 4.

A horse! a horse! my kingdom for a horse! -King Richard III. Act v. Sc. 4.

Could I come near your beauty with my nails, I 'd set my ten commandments in your face. -King Henry read more

Could I come near your beauty with my nails, I 'd set my ten commandments in your face. -King Henry VI. Part II. Act i. Sc. 3.

In my school-days, when I had lost one shaft, I shot his fellow of the selfsame flight The selfsame way, read more

In my school-days, when I had lost one shaft, I shot his fellow of the selfsame flight The selfsame way, with more advised watch, To find the other forth; and by adventuring both, I oft found both. -The Merchant of Venice. Act i. Sc. 1.

I charge thee, fling away ambition: By that sin fell the angels. -King Henry VIII. Act iii. Sc. 2.

I charge thee, fling away ambition: By that sin fell the angels. -King Henry VIII. Act iii. Sc. 2.

In King Cambyses' vein. -King Henry IV. Part I. Act ii. Sc. 4.

In King Cambyses' vein. -King Henry IV. Part I. Act ii. Sc. 4.

This royal throne of kings, this sceptred isle, This earth of majesty, this seat of Mars, This other Eden, demi-paradise, read more

This royal throne of kings, this sceptred isle, This earth of majesty, this seat of Mars, This other Eden, demi-paradise, This fortress built by Nature for herself Against infection and the hand of war, This happy breed of men, this little world, This precious stone set in the silver sea, Which serves it in the office of a wall Or as a moat defensive to a house, Against the envy of less happier lands,— This blessed plot, this earth, this realm, this England. -King Richard II. Act ii. Sc. 1.

Eating the bitter bread of banishment. -King Richard II. Act iii. Sc. 1.

Eating the bitter bread of banishment. -King Richard II. Act iii. Sc. 1.

If to do were as easy as to know what were good to do, chapels had been churches, and poor read more

If to do were as easy as to know what were good to do, chapels had been churches, and poor men's cottages princes' palaces. -The Merchant of Venice. Act i. Sc. 2.

All the world 's a stage, And all the men and women merely players. They have their exits and their read more

All the world 's a stage, And all the men and women merely players. They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms. And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woful ballad Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard; Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side; His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything. -As You Like It. Act ii. Sc. 7.