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He was ever precise in promise-keeping. -Measure for Measure. Act i. Sc. 2.
He was ever precise in promise-keeping. -Measure for Measure. Act i. Sc. 2.
Love sought is good, but given unsought is better. -Twelfth Night. Act iii. Sc. 1.
Love sought is good, but given unsought is better. -Twelfth Night. Act iii. Sc. 1.
Why should a man whose blood is warm within, Sit like his grandsire cut in alabaster? -The Merchant of Venice. read more
Why should a man whose blood is warm within, Sit like his grandsire cut in alabaster? -The Merchant of Venice. Act i. Sc. 1.
Misery acquaints a man with strange bedfellows. -The Tempest. Act ii. Sc. 2.
Misery acquaints a man with strange bedfellows. -The Tempest. Act ii. Sc. 2.
Superfluity comes sooner by white hairs, but competency lives longer. -The Merchant of Venice. Act i. Sc. 2.
Superfluity comes sooner by white hairs, but competency lives longer. -The Merchant of Venice. Act i. Sc. 2.
For there was never yet philosopher That could endure the toothache patiently. -Much Ado about Nothing. Act v. Sc. 1.
For there was never yet philosopher That could endure the toothache patiently. -Much Ado about Nothing. Act v. Sc. 1.
Love looks not with the eyes, but with the mind; And therefore is winged Cupid painted blind. -A Midsummer Night's read more
Love looks not with the eyes, but with the mind; And therefore is winged Cupid painted blind. -A Midsummer Night's Dream. Act i. Sc. 1.
In those holy fields Over whose acres walked those blessed feet Which fourteen hundred years ago were nail'd For our read more
In those holy fields Over whose acres walked those blessed feet Which fourteen hundred years ago were nail'd For our advantage on the bitter cross. -King Henry IV. Part I. Act i. Sc. 1.
Except I be by Sylvia in the night, There is no music in the nightingale. -The Two Gentleman of Verona. read more
Except I be by Sylvia in the night, There is no music in the nightingale. -The Two Gentleman of Verona. Act iii. Sc. 1.
