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The best in this kind are but shadows. -A Midsummer Night's Dream. Act v. Sc. 1.
The best in this kind are but shadows. -A Midsummer Night's Dream. Act v. Sc. 1.
Let there be gall enough in thy ink; though thou write with a goose-pen, no matter. -Twelfth Night. Act iii. read more
Let there be gall enough in thy ink; though thou write with a goose-pen, no matter. -Twelfth Night. Act iii. Sc. 2.
The man that hath no music in himself, Nor is not moved with concord of sweet sounds, Is fit for read more
The man that hath no music in himself, Nor is not moved with concord of sweet sounds, Is fit for treasons, stratagems, and spoils; The motions of his spirit are dull as night, And his affections dark as Erebus. Let no such man be trusted. -The Merchant of Venice. Act. v. Sc. 1.
There is a river in Macedon; and there is also moreover a river at Monmouth;… and there is salmons in read more
There is a river in Macedon; and there is also moreover a river at Monmouth;… and there is salmons in both. -King Henry V. Act iv. Sc. 7.
Who may, in the ambush of my name, strike home. -Measure for Measure. Act i. Sc. 3.
Who may, in the ambush of my name, strike home. -Measure for Measure. Act i. Sc. 3.
Under the shade of melancholy boughs, Lose and neglect the creeping hours of time; If ever you have look'd on read more
Under the shade of melancholy boughs, Lose and neglect the creeping hours of time; If ever you have look'd on better days, If ever been where bells have knoll'd to church, If ever sat at any good man's feast. -As You Like It. Act ii. Sc. 7.
I have an exposition of sleep come upon me. -A Midsummer Night's Dream. Act iv. Sc. 1.
I have an exposition of sleep come upon me. -A Midsummer Night's Dream. Act iv. Sc. 1.
This figure that thou here seest put,
It was for gentle Shakespeare cut,
Wherein the graver had read more
This figure that thou here seest put,
It was for gentle Shakespeare cut,
Wherein the graver had a strife
With Nature, to outdo the life:
Oh, could he but have drawn his wit
As well in brass, as he has hit
His face, the print would then surpass
All that was ever writ in brass;
But since he cannot, reader, look
Not on his picture, but his book.
A high hope for a low heaven. -Love's Labour 's Lost. Act i. Sc. 1.
A high hope for a low heaven. -Love's Labour 's Lost. Act i. Sc. 1.