When we mean to build, We first survey the plot, then draw the model; And when we see the figure read more

When we mean to build, We first survey the plot, then draw the model; And when we see the figure of the house, Then must we rate the cost of the erection. -King Henry IV. Part II. Act i. Sc. 3.

He wears his faith but as the fashion of his hat. -Much Ado about Nothing. Act i. Sc. 1.

He wears his faith but as the fashion of his hat. -Much Ado about Nothing. Act i. Sc. 1.

Sweet are the uses of adversity, Which like the toad, ugly and venomous, Wears yet a precious jewel in his read more

Sweet are the uses of adversity, Which like the toad, ugly and venomous, Wears yet a precious jewel in his head; And this our life, exempt from public haunt, Finds tongues in trees, books in the running brooks, Sermons in stones, and good in every thing. -As You Like It. Act ii. Sc. 1.

The human mortals. -A Midsummer Night's Dream. Act ii. Sc. 1.

The human mortals. -A Midsummer Night's Dream. Act ii. Sc. 1.

Yet in bestowing, madam, He was most princely. -King Henry VIII. Act iv. Sc. 2.

Yet in bestowing, madam, He was most princely. -King Henry VIII. Act iv. Sc. 2.

As good luck would have it. -The Merry Wives of Windsor. Act iii. Sc. 5.

As good luck would have it. -The Merry Wives of Windsor. Act iii. Sc. 5.

I love a ballad in print o' life, for then we are sure they are true. -The Winter's Tale. Act read more

I love a ballad in print o' life, for then we are sure they are true. -The Winter's Tale. Act iv. Sc. 4.

These most brisk and giddy-paced times. -Twelfth Night. Act ii. Sc. 4.

These most brisk and giddy-paced times. -Twelfth Night. Act ii. Sc. 4.

In the posteriors of this day, which the rude multitude call the afternoon. -Love's Labour 's Lost. Act v. Sc. read more

In the posteriors of this day, which the rude multitude call the afternoon. -Love's Labour 's Lost. Act v. Sc. 1.