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Let the end try the man. -King Henry IV. Part II. Act ii. Sc. 2.
Let the end try the man. -King Henry IV. Part II. Act ii. Sc. 2.
All the learned and authentic fellows. -All 's Well that Ends Well. Act ii. Sc. 3.
All the learned and authentic fellows. -All 's Well that Ends Well. Act ii. Sc. 3.
The common curse of mankind,—folly and ignorance. -Troilus and Cressida. Act ii. Sc. 3.
The common curse of mankind,—folly and ignorance. -Troilus and Cressida. Act ii. Sc. 3.
Is it so nominated in the bond? -The Merchant of Venice. Act iv. Sc. 1.
Is it so nominated in the bond? -The Merchant of Venice. Act iv. Sc. 1.
At Christmas I no more desire a rose Than wish a snow in May's new-fangled mirth; But like of each read more
At Christmas I no more desire a rose Than wish a snow in May's new-fangled mirth; But like of each thing that in season grows. -Love's Labour 's Lost. Act i. Sc. 1.
The spinsters and the knitters in the sun And the free maids that weave their thread with bones Do use read more
The spinsters and the knitters in the sun And the free maids that weave their thread with bones Do use to chant it: it is silly sooth, And dallies with the innocence of love, Like the old age. -Twelfth Night. Act ii. Sc. 4.
'T is better to be lowly born, And range with humble livers in content, Than to be perked up in read more
'T is better to be lowly born, And range with humble livers in content, Than to be perked up in a glistering grief, And wear a golden sorrow. -King Henry VIII. Act ii. Sc. 3.
Gratiano speaks an infinite deal of nothing, more than any man in all Venice. His reasons are as two grains read more
Gratiano speaks an infinite deal of nothing, more than any man in all Venice. His reasons are as two grains of wheat hid in two bushels of chaff: you shall seek all day ere you find them, and when you have them, they are not worth the search. -The Merchant of Venice. Act i. Sc. 1.
The idea of her life shall sweetly creep Into his study of imagination, And every lovely organ of her life, read more
The idea of her life shall sweetly creep Into his study of imagination, And every lovely organ of her life, Shall come apparell'd in more precious habit, More moving-delicate and full of life Into the eye and prospect of his soul. -Much Ado about Nothing. Act iv. Sc. 1.
