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Lie ten nights awake, carving the fashion of a new doublet. He was wont to speak plain and to the read more
Lie ten nights awake, carving the fashion of a new doublet. He was wont to speak plain and to the purpose. -Much Ado about Nothing. Act ii. Sc. 3.
Why should a man whose blood is warm within, Sit like his grandsire cut in alabaster? -The Merchant of Venice. read more
Why should a man whose blood is warm within, Sit like his grandsire cut in alabaster? -The Merchant of Venice. Act i. Sc. 1.
Past and to come seems best; things present worst. -King Henry IV. Part II. Act i. Sc. 3.
Past and to come seems best; things present worst. -King Henry IV. Part II. Act i. Sc. 3.
A good old man, sir; he will be talking: as they say, When the age is in the wit is read more
A good old man, sir; he will be talking: as they say, When the age is in the wit is out. -Much Ado about Nothing. Act iii. Sc. 5.
There is occasions and causes why and wherefore in all things. -King Henry V. Act v. Sc. 1.
There is occasions and causes why and wherefore in all things. -King Henry V. Act v. Sc. 1.
I thank thee, Jew, for teaching me that word. -The Merchant of Venice. Act iv. Sc. 1.
I thank thee, Jew, for teaching me that word. -The Merchant of Venice. Act iv. Sc. 1.
I cannot tell what the dickens his name is. -The Merry Wives of Windsor. Act iii. Sc. 2.
I cannot tell what the dickens his name is. -The Merry Wives of Windsor. Act iii. Sc. 2.
A forted residence 'gainst the tooth of time And razure of oblivion. -Measure for Measure. Act v. Sc. 1.
A forted residence 'gainst the tooth of time And razure of oblivion. -Measure for Measure. Act v. Sc. 1.
A good mouth-filling oath. -King Henry IV. Part I. Act iii. Sc. 1.
A good mouth-filling oath. -King Henry IV. Part I. Act iii. Sc. 1.