Truth hath a quiet breast. -King Richard II. Act i. Sc. 3.

Truth hath a quiet breast. -King Richard II. Act i. Sc. 3.

My meaning in saying he is a good man, is to have you understand me that he is sufficient. -The read more

My meaning in saying he is a good man, is to have you understand me that he is sufficient. -The Merchant of Venice. Act i. Sc. 3.

He was a scholar, and a ripe and good one; Exceeding wise, fair-spoken, and persuading; Lofty and sour to them read more

He was a scholar, and a ripe and good one; Exceeding wise, fair-spoken, and persuading; Lofty and sour to them that loved him not, But to those men that sought him sweet as summer. -King Henry VIII. Act iv. Sc. 2.

Faith, thou hast some crotchets in thy head now. -The Merry Wives of Windsor. Act ii. Sc. 1.

Faith, thou hast some crotchets in thy head now. -The Merry Wives of Windsor. Act ii. Sc. 1.

A plague of all cowards, I say. -King Henry IV. Part I. Act ii. Sc. 4.

A plague of all cowards, I say. -King Henry IV. Part I. Act ii. Sc. 4.

I will make a Star-chamber matter of it. -The Merry Wives of Windsor. Act i. Sc. 1.

I will make a Star-chamber matter of it. -The Merry Wives of Windsor. Act i. Sc. 1.

All the world 's a stage, And all the men and women merely players. They have their exits and their read more

All the world 's a stage, And all the men and women merely players. They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms. And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woful ballad Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard; Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side; His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything. -As You Like It. Act ii. Sc. 7.

Talks as familiarly of roaring lions As maids of thirteen do of puppy-dogs! -King John. Act ii. Sc. 1.

Talks as familiarly of roaring lions As maids of thirteen do of puppy-dogs! -King John. Act ii. Sc. 1.

Saint George, that swinged the dragon, and e'er since Sits on his horse back at mine hostess' door. -King John. read more

Saint George, that swinged the dragon, and e'er since Sits on his horse back at mine hostess' door. -King John. Act ii. Sc. 1.