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At my fingers' ends. -Twelfth Night. Act i. Sc. 3.
At my fingers' ends. -Twelfth Night. Act i. Sc. 3.
Farewell! a long farewell, to all my greatness! This is the state of man: to-day he puts forth The tender read more
Farewell! a long farewell, to all my greatness! This is the state of man: to-day he puts forth The tender leaves of hopes; to-morrow blossoms, And bears his blushing honours thick upon him; The third day comes a frost, a killing frost, And when he thinks, good easy man, full surely His greatness is a-ripening, nips his root, And then he falls, as I do. I have ventured, Like little wanton boys that swim on bladders, This many summers in a sea of glory, But far beyond my depth: my high-blown pride At length broke under me and now has left me, Weary and old with service, to the mercy Of a rude stream, that must forever hide me. Vain pomp and glory of this world, I hate ye: I feel my heart new opened. O, how wretched Is that poor man that hangs on princes' favours! There is betwixt that smile we would aspire to, That sweet aspect of princes, and their ruin, More pangs and fears than wars or women have: And when he falls, he falls like Lucifer, Never to hope again. -King Henry VIII. Act iii. Sc. 2.
Oh, what a deal of scorn looks beautiful In the contempt and anger of his lip! -Twelfth Night. Act iii. read more
Oh, what a deal of scorn looks beautiful In the contempt and anger of his lip! -Twelfth Night. Act iii. Sc. 1.
All the world 's a stage, And all the men and women merely players. They have their exits and their read more
All the world 's a stage, And all the men and women merely players. They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms. And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woful ballad Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard; Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side; His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything. -As You Like It. Act ii. Sc. 7.
Well said: that was laid on with a trowel. -As You Like It. Act i. Sc. 2.
Well said: that was laid on with a trowel. -As You Like It. Act i. Sc. 2.
For my voice, I have lost it with halloing and singing of anthems. -King Henry IV. Part II. Act i. read more
For my voice, I have lost it with halloing and singing of anthems. -King Henry IV. Part II. Act i. Sc. 2.
An habitation giddy and unsure Hath he that buildeth on the vulgar heart. -King Henry IV. Part II. Act i. read more
An habitation giddy and unsure Hath he that buildeth on the vulgar heart. -King Henry IV. Part II. Act i. Sc. 3.
Like a fair house, built on another man's ground. -The Merry Wives of Windsor. Act ii. Sc. 2.
Like a fair house, built on another man's ground. -The Merry Wives of Windsor. Act ii. Sc. 2.
I have an exposition of sleep come upon me. -A Midsummer Night's Dream. Act iv. Sc. 1.
I have an exposition of sleep come upon me. -A Midsummer Night's Dream. Act iv. Sc. 1.
