A man in all the world's new fashion planted, That hath a mint of phrases in his brain. -Love's Labour read more

A man in all the world's new fashion planted, That hath a mint of phrases in his brain. -Love's Labour 's Lost. Act i. Sc. 1.

Let not the heavens hear these tell-tale women Rail on the Lord's anointed. -King Richard III. Act iv. Sc. 4.

Let not the heavens hear these tell-tale women Rail on the Lord's anointed. -King Richard III. Act iv. Sc. 4.

Modest doubt is call'd The beacon of the wise, the tent that searches To the bottom of the worst. -Troilus read more

Modest doubt is call'd The beacon of the wise, the tent that searches To the bottom of the worst. -Troilus and Cressida. Act ii. Sc. 2.

'T is strange that death should sing. I am the cygnet to this pale faint swan, Who chants a doleful read more

'T is strange that death should sing. I am the cygnet to this pale faint swan, Who chants a doleful hymn to his own death, And from the organ-pipe of frailty sings His soul and body to their lasting rest. -King John. Act v. Sc. 7.

Misery acquaints a man with strange bedfellows. -The Tempest. Act ii. Sc. 2.

Misery acquaints a man with strange bedfellows. -The Tempest. Act ii. Sc. 2.

A parlous boy. -King Richard III. Act ii. Sc. 4.

A parlous boy. -King Richard III. Act ii. Sc. 4.

Benedick the married man. -Much Ado about Nothing. Act i. Sc. 1.

Benedick the married man. -Much Ado about Nothing. Act i. Sc. 1.

A woman moved is like a fountain troubled,— Muddy, ill-seeming, thick, bereft of beauty. -The Taming of the Shrew. Act read more

A woman moved is like a fountain troubled,— Muddy, ill-seeming, thick, bereft of beauty. -The Taming of the Shrew. Act v. Sc. 2.

He makes sweet music with th' enamell'd stones, Giving a gentle kiss to every sedge He overtaketh in his pilgrimage. read more

He makes sweet music with th' enamell'd stones, Giving a gentle kiss to every sedge He overtaketh in his pilgrimage. -The Two Gentleman of Verona. Act ii. Sc. 7.