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The man that hath no music in himself, Nor is not moved with concord of sweet sounds, Is fit for read more
The man that hath no music in himself, Nor is not moved with concord of sweet sounds, Is fit for treasons, stratagems, and spoils; The motions of his spirit are dull as night, And his affections dark as Erebus. Let no such man be trusted. -The Merchant of Venice. Act. v. Sc. 1.
He makes sweet music with th' enamell'd stones, Giving a gentle kiss to every sedge He overtaketh in his pilgrimage. read more
He makes sweet music with th' enamell'd stones, Giving a gentle kiss to every sedge He overtaketh in his pilgrimage. -The Two Gentleman of Verona. Act ii. Sc. 7.
Is she not passing fair? -The Two Gentleman of Verona. Act iv. Sc. 4.
Is she not passing fair? -The Two Gentleman of Verona. Act iv. Sc. 4.
And then he drew a dial from his poke, And looking on it with lack-lustre eye, Says very wisely, It read more
And then he drew a dial from his poke, And looking on it with lack-lustre eye, Says very wisely, It is ten o'clock: Thus we may see, quoth he, how the world wags. -As You Like It. Act ii. Sc. 7.
And now am I, if a man should speak truly, little better than one of the wicked. -King Henry IV. read more
And now am I, if a man should speak truly, little better than one of the wicked. -King Henry IV. Part I. Act i. Sc. 2.
A cup of hot wine with not a drop of allaying Tiber in 't. -Coriolanus. Act ii. Sc. 1.
A cup of hot wine with not a drop of allaying Tiber in 't. -Coriolanus. Act ii. Sc. 1.
An habitation giddy and unsure Hath he that buildeth on the vulgar heart. -King Henry IV. Part II. Act i. read more
An habitation giddy and unsure Hath he that buildeth on the vulgar heart. -King Henry IV. Part II. Act i. Sc. 3.
Sits the wind in that corner? -Much Ado about Nothing. Act ii. Sc. 3.
Sits the wind in that corner? -Much Ado about Nothing. Act ii. Sc. 3.
