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    The lunatic, the lover, and the poet Are of imagination all compact: One sees more devils than vast hell can hold, That is, the madman: the lover, all as frantic, Sees Helen's beauty in a brow of Egypt: The poet's eye, in a fine frenzy rolling, Doth glance from heaven to earth, from earth to heaven; And as imagination bodies forth The forms of things unknown, the poet's pen Turns them to shapes, and gives to airy nothing A local habitation and a name. Such tricks hath strong imagination, That if it would but apprehend some joy, It comprehends some bringer of that joy; Or in the night, imagining some fear, How easy is a bush supposed a bear! -A Midsummer Night's Dream. Act v. Sc. 1.

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  10  /  11  

Now, by two-headed Janus, Nature hath framed strange fellows in her time. -The Merchant of Venice. Act i. Sc. 1.

Now, by two-headed Janus, Nature hath framed strange fellows in her time. -The Merchant of Venice. Act i. Sc. 1.

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  9  /  10  

I have mark'd A thousand blushing apparitions To start into her face, a thousand innocent shames In angel whiteness beat read more

I have mark'd A thousand blushing apparitions To start into her face, a thousand innocent shames In angel whiteness beat away those blushes. -Much Ado about Nothing. Act iv. Sc. 1.

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I am not only witty in myself, but the cause that wit is in other men. -King Henry IV. Part read more

I am not only witty in myself, but the cause that wit is in other men. -King Henry IV. Part II. Act i. Sc. 2.

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The common curse of mankind,—folly and ignorance. -Troilus and Cressida. Act ii. Sc. 3.

The common curse of mankind,—folly and ignorance. -Troilus and Cressida. Act ii. Sc. 3.

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They say, best men are moulded out of faults, And, for the most, become much more the better For being read more

They say, best men are moulded out of faults, And, for the most, become much more the better For being a little bad. -Measure for Measure. Act v. Sc. 1.

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That unlettered small-knowing soul. -Love's Labour 's Lost. Act i. Sc. 1.

That unlettered small-knowing soul. -Love's Labour 's Lost. Act i. Sc. 1.

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Uneasy lies the head that wears a crown. -King Henry IV. Part II. Act iii. Sc. 1.

Uneasy lies the head that wears a crown. -King Henry IV. Part II. Act iii. Sc. 1.

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The devil can cite Scripture for his purpose. -The Merchant of Venice. Act i. Sc. 3.

The devil can cite Scripture for his purpose. -The Merchant of Venice. Act i. Sc. 3.

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O, that he were here to write me down an ass! -Much Ado about Nothing. Act iv. Sc. 2.

O, that he were here to write me down an ass! -Much Ado about Nothing. Act iv. Sc. 2.

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