He draweth out the thread of his verbosity finer than the staple of his argument. -Love's Labour 's Lost. Act read more

He draweth out the thread of his verbosity finer than the staple of his argument. -Love's Labour 's Lost. Act v. Sc. 1.

Full fathom five thy father lies; Of his bones are coral made; Those are pearls that were his eyes: Nothing read more

Full fathom five thy father lies; Of his bones are coral made; Those are pearls that were his eyes: Nothing of him that doth fade But doth suffer a sea-change Into something rich and strange. -The Tempest. Act i. Sc. 2.

Renowned Spenser, lie a thought more nigh
To learned Chaucer, and rare Beaumont lie
A little nearer read more

Renowned Spenser, lie a thought more nigh
To learned Chaucer, and rare Beaumont lie
A little nearer Spenser, to make room
For Shakespeare in your threefold, fourfold tomb.

Such duty as the subject owes the prince, Even such a woman oweth to her husband. -The Taming of the read more

Such duty as the subject owes the prince, Even such a woman oweth to her husband. -The Taming of the Shrew. Act v. Sc. 2.

Small cheer and great welcome makes a merry feast. -The Comedy of Errors. Act iii. Sc. 1.

Small cheer and great welcome makes a merry feast. -The Comedy of Errors. Act iii. Sc. 1.

A royal train, believe me. -King Henry VIII. Act iv. Sc. 1.

A royal train, believe me. -King Henry VIII. Act iv. Sc. 1.

There 's nothing ill can dwell in such a temple: If the ill spirit have so fair a house, Good read more

There 's nothing ill can dwell in such a temple: If the ill spirit have so fair a house, Good things will strive to dwell with 't. -The Tempest. Act i. Sc. 2.

All the world 's a stage, And all the men and women merely players. They have their exits and their read more

All the world 's a stage, And all the men and women merely players. They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms. And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woful ballad Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard; Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side; His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything. -As You Like It. Act ii. Sc. 7.

The sense of death is most in apprehension; And the poor beetle, that we tread upon, In corporal sufferance finds read more

The sense of death is most in apprehension; And the poor beetle, that we tread upon, In corporal sufferance finds a pang as great As when a giant dies. -Measure for Measure. Act iii. Sc. 1.