I thank thee, Jew, for teaching me that word. -The Merchant of Venice. Act iv. Sc. 1.

I thank thee, Jew, for teaching me that word. -The Merchant of Venice. Act iv. Sc. 1.

The sons of Edward sleep in Abraham's bosom. -King Richard III. Act iv. Sc. 3.

The sons of Edward sleep in Abraham's bosom. -King Richard III. Act iv. Sc. 3.

Few of the university pen plaies well, they smell too much of
that writer Ovid and that writer Metamorphosis read more

Few of the university pen plaies well, they smell too much of
that writer Ovid and that writer Metamorphosis and talk too much
of Prosperpina and Jupiter. Why, here's our fellow Shakespeare
puts them all down. Aye, and Ben Jonson too. O that B.J. is a
pestilent fellow, he brought up Horace giving poets a pill, but
our fellow, Shakespeare, hath given him a purge that made him
beray his credit.

In law, what plea so tainted and corrupt But being season'd with a gracious voice Obscures the show of evil? read more

In law, what plea so tainted and corrupt But being season'd with a gracious voice Obscures the show of evil? -The Merchant of Venice. Act iii. Sc. 2.

'T is not for gravity to play at cherry-pit with Satan. -Twelfth Night. Act iii. Sc. 4.

'T is not for gravity to play at cherry-pit with Satan. -Twelfth Night. Act iii. Sc. 4.

I thank God I am as honest as any man living that is an old man and no honester than read more

I thank God I am as honest as any man living that is an old man and no honester than I. -Much Ado about Nothing. Act iii. Sc. 3.

All the world 's a stage, And all the men and women merely players. They have their exits and their read more

All the world 's a stage, And all the men and women merely players. They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms. And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woful ballad Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard; Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side; His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything. -As You Like It. Act ii. Sc. 7.

In rage deaf as the sea, hasty as fire. -King Richard II. Act i. Sc. 1.

In rage deaf as the sea, hasty as fire. -King Richard II. Act i. Sc. 1.

If it will feed nothing else, it will feed my revenge. -The Merchant of Venice. Act iii. Sc. 1.

If it will feed nothing else, it will feed my revenge. -The Merchant of Venice. Act iii. Sc. 1.