Truth is truth To the end of reckoning. -Measure for Measure. Act v. Sc. 1.

Truth is truth To the end of reckoning. -Measure for Measure. Act v. Sc. 1.

Condemn the fault, and not the actor of it? -Measure for Measure. Act ii. Sc. 2.

Condemn the fault, and not the actor of it? -Measure for Measure. Act ii. Sc. 2.

Could I come near your beauty with my nails, I 'd set my ten commandments in your face. -King Henry read more

Could I come near your beauty with my nails, I 'd set my ten commandments in your face. -King Henry VI. Part II. Act i. Sc. 3.

Anger is like A full-hot horse, who being allow'd his way, Self-mettle tires him. -King Henry VIII. Act i. Sc. read more

Anger is like A full-hot horse, who being allow'd his way, Self-mettle tires him. -King Henry VIII. Act i. Sc. 1.

Mocking the air with colours idly spread. -King John. Act v. Sc. 1.

Mocking the air with colours idly spread. -King John. Act v. Sc. 1.

Thus when I shun Scylla, your father, I fall into Charybdis, your mother. -The Merchant of Venice. Act iii. Sc. read more

Thus when I shun Scylla, your father, I fall into Charybdis, your mother. -The Merchant of Venice. Act iii. Sc. 5.

Our compell'd sins Stand more for number than for accompt. -Measure for Measure. Act ii. Sc. 4.

Our compell'd sins Stand more for number than for accompt. -Measure for Measure. Act ii. Sc. 4.

He draweth out the thread of his verbosity finer than the staple of his argument. -Love's Labour 's Lost. Act read more

He draweth out the thread of his verbosity finer than the staple of his argument. -Love's Labour 's Lost. Act v. Sc. 1.

Oh, what a deal of scorn looks beautiful In the contempt and anger of his lip! -Twelfth Night. Act iii. read more

Oh, what a deal of scorn looks beautiful In the contempt and anger of his lip! -Twelfth Night. Act iii. Sc. 1.