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As sweet and musical As bright Apollo's lute, strung with his hair; And when Love speaks, the voice of all read more
As sweet and musical As bright Apollo's lute, strung with his hair; And when Love speaks, the voice of all the gods Makes heaven drowsy with the harmony. -Love's Labour 's Lost. Act iv. Sc. 3.
There 's neither honesty, manhood, nor good fellowship in thee. -King Henry IV. Part I. Act i. Sc. 2.
There 's neither honesty, manhood, nor good fellowship in thee. -King Henry IV. Part I. Act i. Sc. 2.
Few of the university pen plaies well, they smell too much of
that writer Ovid and that writer Metamorphosis read more
Few of the university pen plaies well, they smell too much of
that writer Ovid and that writer Metamorphosis and talk too much
of Prosperpina and Jupiter. Why, here's our fellow Shakespeare
puts them all down. Aye, and Ben Jonson too. O that B.J. is a
pestilent fellow, he brought up Horace giving poets a pill, but
our fellow, Shakespeare, hath given him a purge that made him
beray his credit.
Thus when I shun Scylla, your father, I fall into Charybdis, your mother. -The Merchant of Venice. Act iii. Sc. read more
Thus when I shun Scylla, your father, I fall into Charybdis, your mother. -The Merchant of Venice. Act iii. Sc. 5.
All the world 's a stage, And all the men and women merely players. They have their exits and their read more
All the world 's a stage, And all the men and women merely players. They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms. And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woful ballad Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard; Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side; His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything. -As You Like It. Act ii. Sc. 7.
Home-keeping youth have ever homely wits. -The Two Gentleman of Verona. Act i. Sc. 1.
Home-keeping youth have ever homely wits. -The Two Gentleman of Verona. Act i. Sc. 1.
But earthlier happy is the rose distill'd Than that which withering on the virgin thorn Grows, lives, and dies in read more
But earthlier happy is the rose distill'd Than that which withering on the virgin thorn Grows, lives, and dies in single blessedness. -A Midsummer Night's Dream. Act i. Sc. 1.
Some Cupid kills with arrows, some with traps. -Much Ado about Nothing. Act iii. Sc. 1.
Some Cupid kills with arrows, some with traps. -Much Ado about Nothing. Act iii. Sc. 1.
