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Gratiano speaks an infinite deal of nothing, more than any man in all Venice. His reasons are as two grains read more
Gratiano speaks an infinite deal of nothing, more than any man in all Venice. His reasons are as two grains of wheat hid in two bushels of chaff: you shall seek all day ere you find them, and when you have them, they are not worth the search. -The Merchant of Venice. Act i. Sc. 1.
A mad fellow met me on the way and told me I had unloaded all the gibbets and pressed the read more
A mad fellow met me on the way and told me I had unloaded all the gibbets and pressed the dead bodies. No eye hath seen such scarecrows. I 'll not march through Coventry with them, that 's flat: nay, and the villains march wide betwixt the legs, as if they had gyves on; for indeed I had the most of them out of prison. There 's but a shirt and a half in all my company; and the half-shirt is two napkins tacked together and thrown over the shoulders like an herald's coat without sleeves. -King Henry IV. Part I. Act iv. Sc. 2.
Down on your knees, And thank Heaven, fasting, for a good man's love. -As You Like It. Act iii. Sc. read more
Down on your knees, And thank Heaven, fasting, for a good man's love. -As You Like It. Act iii. Sc. 5.
What doth gravity out of his bed at midnight? -King Henry IV. Part I. Act ii. Sc. 4.
What doth gravity out of his bed at midnight? -King Henry IV. Part I. Act ii. Sc. 4.
The rational hind Costard. -Love's Labour 's Lost. Act i. Sc. 2.
The rational hind Costard. -Love's Labour 's Lost. Act i. Sc. 2.
A load would sink a navy. -King Henry VIII. Act iii. Sc. 2.
A load would sink a navy. -King Henry VIII. Act iii. Sc. 2.
As for a camel To thread the postern of a small needle's eye. -King Richard II. Act v. Sc. 5.
As for a camel To thread the postern of a small needle's eye. -King Richard II. Act v. Sc. 5.
To be a well-favoured man is the gift of fortune; but to write and read comes by nature. -Much Ado read more
To be a well-favoured man is the gift of fortune; but to write and read comes by nature. -Much Ado about Nothing. Act iii. Sc. 3.
In the posteriors of this day, which the rude multitude call the afternoon. -Love's Labour 's Lost. Act v. Sc. read more
In the posteriors of this day, which the rude multitude call the afternoon. -Love's Labour 's Lost. Act v. Sc. 1.