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For courage mounteth with occasion. -King John. Act ii. Sc. 1.

For courage mounteth with occasion. -King John. Act ii. Sc. 1.

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Every subject's duty is the king's; but every subject's soul is his own. -King Henry V. Act iv. Sc. 1.

Every subject's duty is the king's; but every subject's soul is his own. -King Henry V. Act iv. Sc. 1.

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There, Shakespeare, on whose forehead climb
The crowns o' the world. Oh, eyes sublime
With tears and read more

There, Shakespeare, on whose forehead climb
The crowns o' the world. Oh, eyes sublime
With tears and laughter for all time.

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  8  /  9  

The man that hath no music in himself, Nor is not moved with concord of sweet sounds, Is fit for read more

The man that hath no music in himself, Nor is not moved with concord of sweet sounds, Is fit for treasons, stratagems, and spoils; The motions of his spirit are dull as night, And his affections dark as Erebus. Let no such man be trusted. -The Merchant of Venice. Act. v. Sc. 1.

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Service is no heritage. -All 's Well that Ends Well. Act i. Sc. 3.

Service is no heritage. -All 's Well that Ends Well. Act i. Sc. 3.

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A forted residence 'gainst the tooth of time And razure of oblivion. -Measure for Measure. Act v. Sc. 1.

A forted residence 'gainst the tooth of time And razure of oblivion. -Measure for Measure. Act v. Sc. 1.

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  11  /  10  

I shall ne'er be ware of mine own wit till I break my shins against it. -As You Like It. read more

I shall ne'er be ware of mine own wit till I break my shins against it. -As You Like It. Act ii. Sc. 4.

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Honour pricks me on. Yea, but how if honour prick me off when I come on,—how then? Can honour set read more

Honour pricks me on. Yea, but how if honour prick me off when I come on,—how then? Can honour set to a leg? no: or an arm? no: or take away the grief of a wound? no. Honour hath no skill in surgery, then? no. What is honour? a word. What is in that word honour; what is that honour? air. A trim reckoning! Who hath it? he that died o' Wednesday. Doth he feel it? no. Doth he hear it? no. 'T is insensible, then? yea, to the dead. But will it not live with the living? no. Why? detraction will not suffer it. Therefore I 'll none of it. Honour is a mere scutcheon. And so ends my catechism. -King Henry IV. Part I. Act v. Sc. 1.

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All the world 's a stage, And all the men and women merely players. They have their exits and their read more

All the world 's a stage, And all the men and women merely players. They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms. And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woful ballad Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard; Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side; His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything. -As You Like It. Act ii. Sc. 7.

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