A flattering painter, who made it his care
To draw men as they ought to be, not as they read more

A flattering painter, who made it his care
To draw men as they ought to be, not as they are.

Are we to paint what's on the face, what's inside the face, or what's behind it?

Are we to paint what's on the face, what's inside the face, or what's behind it?

Painting is poetry that is seen rather than felt, and poetry is painting that is felt rather than seen

Painting is poetry that is seen rather than felt, and poetry is painting that is felt rather than seen

I paint objects as I think them, not as I see them.

I paint objects as I think them, not as I see them.

Vain is the hope by colouring to display
The bright effulgence of the noontide ray
Or paint read more

Vain is the hope by colouring to display
The bright effulgence of the noontide ray
Or paint the full-orb'd ruler of the skies
With pencils dipt in dull terrestrial dyes.

I've been doing a lot of abstract painting lately, extremely abstract. No brush, no paint, no canvas, I just think read more

I've been doing a lot of abstract painting lately, extremely abstract. No brush, no paint, no canvas, I just think about it.

Painting with all its technicalities, difficulties, and peculiar
ends, is nothing but a noble and expressive language, invaluable
read more

Painting with all its technicalities, difficulties, and peculiar
ends, is nothing but a noble and expressive language, invaluable
as the vehicle of thought, but by itself nothing.

Paint me as I am. If you leave out the scars and wrinkles, I
will not pay you a read more

Paint me as I am. If you leave out the scars and wrinkles, I
will not pay you a shilling.

As certain as the Correggiosity of Correggio.

As certain as the Correggiosity of Correggio.