If it is the love of that which your work represents--if, being a
landscape painter, it is love of hills and trees that moves
you--if, being a figure painter, it is love of human beauty, and
human soul that moves you--if, being a flower or animal painter,
it is love, and wonder, and delight in petal and in limb that
move you, then the Spirit is upon you, and the earth is yours,
and the fullness thereof.
You May Also Like / View all maxioms
One picture in ten thousand, perhaps, ought to live in the
applause of mankind, from generation to generation until read more
One picture in ten thousand, perhaps, ought to live in the
applause of mankind, from generation to generation until the
colors fade and blacken out of sight or the canvas rot entirely
away.
"Paint me as I am," said Cromwell,
"Rough with age and gashed with wars;
Show my visage read more
"Paint me as I am," said Cromwell,
"Rough with age and gashed with wars;
Show my visage as you find it,
Less than truth my soul abhors."
A picture is a poem without words.
A picture is a poem without words.
He that seeks popularity in art closes the door on his own
genius: as he must needs paint for read more
He that seeks popularity in art closes the door on his own
genius: as he must needs paint for other minds, and not for his
own.
Painting is poetry that is seen rather than felt, and poetry is painting that is felt rather than seen
Painting is poetry that is seen rather than felt, and poetry is painting that is felt rather than seen
If they could forget for a moment the correggiosity of Correggio
and the learned babble of the sale-room and read more
If they could forget for a moment the correggiosity of Correggio
and the learned babble of the sale-room and varnishing
Auctioneer.
Pictures must not be too picturesque.
Pictures must not be too picturesque.
I only feel, but want the power to paint.
[Lat., Nequeo monstrare et sentio tantum.]
I only feel, but want the power to paint.
[Lat., Nequeo monstrare et sentio tantum.]
Who sees the human face correctly: the photographer, the mirror, or the painter?
Who sees the human face correctly: the photographer, the mirror, or the painter?
