To brisk notes in cadence beating
Glance their many-twinkling feet.

To brisk notes in cadence beating
Glance their many-twinkling feet.

Dancing in the chequer'd shade.

Dancing in the chequer'd shade.

Those who hear not the music think the dancers mad

Those who hear not the music think the dancers mad

O give me new figures! I can't go on dancing
The same that were taught me ten seasons ago;
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O give me new figures! I can't go on dancing
The same that were taught me ten seasons ago;
The schoolmaster over the land is advancing,
Then why is the master of dancing so slow?
It is such a bore to be always caught tripping
In dull uniformity year after year;
Invent something new, and you'll set me a skipping:
I want a new figure to dance with my Dear!

What! the girl I adore by another embraced?
What! the balm of her breath shall another man taste?
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What! the girl I adore by another embraced?
What! the balm of her breath shall another man taste?
What! pressed in the dance by another's man's knee?
What! panting recline on another than me?
Sir, she's yours; you have pressed from the grape its fine blue,
From the rosebud you've shaken the tremulous dew;
What you've touched you may take. Pretty waltzer--adieu!

Endearing Waltz--to thy more melting tune
Bow Irish jig, and ancient rigadoon.
Scotch reels, avaunt! and country-dance read more

Endearing Waltz--to thy more melting tune
Bow Irish jig, and ancient rigadoon.
Scotch reels, avaunt! and country-dance forego
Your future claims to each fantastic toe!
Waltz--Waltz alone--both legs and arms demands,
Liberal of feet, and lavish of her hands.

Such pains, such pleasures now alike are o'er,
And beaus and etiquette shall soon exist no more
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Such pains, such pleasures now alike are o'er,
And beaus and etiquette shall soon exist no more
At their speed behold advancing
Modern men and women dancing;
Step and dress alike express
Above, below from heel to toe,
Male and female awkwardness.
Without a hoop, without a ruffle,
One eternal jig and shuffle,
Where's the air and where's the gait?
Where's the feather in the hat?
Where the frizzed toupee? and where
Oh! where's the powder for the hair?

The truest expression of a people is in its dances and its music.
Bodies never lie.

The truest expression of a people is in its dances and its music.
Bodies never lie.

Twelve dancers are dancing, and taking no rest,
And closely their hands together are press'd;
And soon read more

Twelve dancers are dancing, and taking no rest,
And closely their hands together are press'd;
And soon as a dance has come to a close,
Another begins, and each merrily goes.