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O give me new figures! I can't go on dancing
The same that were taught me ten seasons ago;
read more
O give me new figures! I can't go on dancing
The same that were taught me ten seasons ago;
The schoolmaster over the land is advancing,
Then why is the master of dancing so slow?
It is such a bore to be always caught tripping
In dull uniformity year after year;
Invent something new, and you'll set me a skipping:
I want a new figure to dance with my Dear!
He who esteems the Virginia reel
A bait to draw saints from their spiritual weal,
And regards read more
He who esteems the Virginia reel
A bait to draw saints from their spiritual weal,
And regards the quadrille as a far greater knavery
Than crushing His African children with slavery,
Since all who take part in a waltz or cotillon
Are mounted for hell on the devil's own pillion,
Who, as every true orthodox Christian well knows,
Approaches the heart through the door of the toes.
It's the heart afraid of breaking that never learns to dance. It is the dream afraid of waking that never read more
It's the heart afraid of breaking that never learns to dance. It is the dream afraid of waking that never takes the chance. It is the one who won't be taken who cannot seem to give. And the soul afraid of dying that never learns to live.
I do not try to dance better than anyone else. I only try to to dance better than myself.
I do not try to dance better than anyone else. I only try to to dance better than myself.
Alike all ages: dames of ancient days
Have led their children through the mirthful maze,
And the read more
Alike all ages: dames of ancient days
Have led their children through the mirthful maze,
And the gay grandsire, skill'd in gestic lore,
Has frisk'd beneath the burden of threescore.
To brisk notes in cadence beating
Glance their many-twinkling feet.
To brisk notes in cadence beating
Glance their many-twinkling feet.
Such pains, such pleasures now alike are o'er,
And beaus and etiquette shall soon exist no more
read more
Such pains, such pleasures now alike are o'er,
And beaus and etiquette shall soon exist no more
At their speed behold advancing
Modern men and women dancing;
Step and dress alike express
Above, below from heel to toe,
Male and female awkwardness.
Without a hoop, without a ruffle,
One eternal jig and shuffle,
Where's the air and where's the gait?
Where's the feather in the hat?
Where the frizzed toupee? and where
Oh! where's the powder for the hair?
What! the girl I adore by another embraced?
What! the balm of her breath shall another man taste?
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What! the girl I adore by another embraced?
What! the balm of her breath shall another man taste?
What! pressed in the dance by another's man's knee?
What! panting recline on another than me?
Sir, she's yours; you have pressed from the grape its fine blue,
From the rosebud you've shaken the tremulous dew;
What you've touched you may take. Pretty waltzer--adieu!
The truest expression of a people is in its dances and its music.
Bodies never lie.
The truest expression of a people is in its dances and its music.
Bodies never lie.
