You May Also Like / View all maxioms
What! the girl I adore by another embraced?
What! the balm of her breath shall another man taste?
read more
What! the girl I adore by another embraced?
What! the balm of her breath shall another man taste?
What! pressed in the dance by another's man's knee?
What! panting recline on another than me?
Sir, she's yours; you have pressed from the grape its fine blue,
From the rosebud you've shaken the tremulous dew;
What you've touched you may take. Pretty waltzer--adieu!
Such pains, such pleasures now alike are o'er,
And beaus and etiquette shall soon exist no more
read more
Such pains, such pleasures now alike are o'er,
And beaus and etiquette shall soon exist no more
At their speed behold advancing
Modern men and women dancing;
Step and dress alike express
Above, below from heel to toe,
Male and female awkwardness.
Without a hoop, without a ruffle,
One eternal jig and shuffle,
Where's the air and where's the gait?
Where's the feather in the hat?
Where the frizzed toupee? and where
Oh! where's the powder for the hair?
He who esteems the Virginia reel
A bait to draw saints from their spiritual weal,
And regards read more
He who esteems the Virginia reel
A bait to draw saints from their spiritual weal,
And regards the quadrille as a far greater knavery
Than crushing His African children with slavery,
Since all who take part in a waltz or cotillon
Are mounted for hell on the devil's own pillion,
Who, as every true orthodox Christian well knows,
Approaches the heart through the door of the toes.
Alike all ages: dames of ancient days
Have led their children through the mirthful maze,
And the read more
Alike all ages: dames of ancient days
Have led their children through the mirthful maze,
And the gay grandsire, skill'd in gestic lore,
Has frisk'd beneath the burden of threescore.
Others import yet nobler arts from France,
Teach kings to fiddle, and make senates dance.
Others import yet nobler arts from France,
Teach kings to fiddle, and make senates dance.
And then he danced;--all foreigners excel
The serious Angles in the eloquence
Of pantomime;--he danced, I say read more
And then he danced;--all foreigners excel
The serious Angles in the eloquence
Of pantomime;--he danced, I say right well,
With emphasis, and also with good sense--
A thing in footing indispensable:
He danced without theatrical pretence,
Not like a ballet-master in the van
Of his drill'd nymphs, but like a gentleman.
You've got to dance like nobody's watching and love like it's never going to hurt.
You've got to dance like nobody's watching and love like it's never going to hurt.
It's the heart afraid of breaking that never learns to dance. It is the dream afraid of waking that never read more
It's the heart afraid of breaking that never learns to dance. It is the dream afraid of waking that never takes the chance. It is the one who won't be taken who cannot seem to give. And the soul afraid of dying that never learns to live.
