Feast of John Vianney, Curè d'Ars, 1859 To excuse what can really produce good excuses is not Christian read more

Feast of John Vianney, Curè d'Ars, 1859 To excuse what can really produce good excuses is not Christian charity; it is only fairness. To be a Christian means to forgive the inexcusable, because God has forgiven the inexcusable in you. This is hard. It is perhaps not so hard to forgive a single injury. But to forgive the incessant provocations of daily life -- to keep on forgiving the bossy mother-in-law, the bullying husband, the nagging wife, the selfish daughter, the deceitful son -- how can we do it? Only, I think, by remembering where we stand, by meaning our words when we say in our prayers each night, "Forgive us our trespasses as we forgive those who trespass against us." We are offered forgiveness on no other terms. To refuse it means to refuse God's mercy for ourselves. There is no hint of exceptions and God means what He says.

It is to no purpose to boast of Christ, if we have not an evidence of His graces in our read more

It is to no purpose to boast of Christ, if we have not an evidence of His graces in our hearts and lives. But unto whom He is the hope of future glory, unto them He is the life of present grace.

Continuing a short series on forgiveness: "The law of Jehovah is perfect, restoring the soul" (Psa 19:7). Most read more

Continuing a short series on forgiveness: "The law of Jehovah is perfect, restoring the soul" (Psa 19:7). Most laws condemn the soul and pronounce sentence. The result of the law of my God is perfect. It condemns but forgives. It restores - more than abundantly - what it takes away.

Feast of the Conversion of Paul If I say to you that no one has time to finish, that read more

Feast of the Conversion of Paul If I say to you that no one has time to finish, that the longest human life leaves a man, in any branch of learning, a beginner, I shall seem to you to be saying something quite academic and theoretical. You would be surprised if you knew how soon one begins to feel the shortness of the tether: of how many things, even in middle life, we have to say, "No time for that", "Too late now" and "Not for me". But Nature herself forbids you [young people] to share that experience. A more Christian attitude, which can be attained at any age, is that of leaving futurity in God's hands. We may as well, for God will certainly retain it whether we leave it to Him or not.

Commemoration of John Mason Neale, Priest, Poet, 1866 Think it not hard if you get not your will, read more

Commemoration of John Mason Neale, Priest, Poet, 1866 Think it not hard if you get not your will, nor your delights in this life; God will have you to rejoice in nothing but himself.

Every day the church here (in Antioch] feeds 3000 people. Besides this, the church daily helps provide food and clothes read more

Every day the church here (in Antioch] feeds 3000 people. Besides this, the church daily helps provide food and clothes for prisoners, the hospitalized, pilgrims, cripples, churchmen, and others. If only ten [other groups of] people were willing to do this, there wouldn't be a single poor man left in town.

Feast of Margaret, Queen of Scotland, Philanthropist, Reformer of the Church, 1093 Commemoration of Edmund Rich of Abingdon, Archbishop of read more

Feast of Margaret, Queen of Scotland, Philanthropist, Reformer of the Church, 1093 Commemoration of Edmund Rich of Abingdon, Archbishop of Canterbury, 1240 This idea of the Bible's unity is not a concept which is imposed upon the Bible because of the dogmatic assertion that it is verbally inspired. To the contrary, it is inherent in the Bible, for the Bible declares itself to be the Word of God. If it be the Word of God, its various teachings should all form a coherent unity. This presupposition of the Bible's unity provides a test for the validity of a system of interpretation: if the system is not able to demonstrate the Bible's unity, it must be an inadequate system.

Feast of George Herbert, Priest, Poet, 1633 Immortal Love, author of this great frame, Sprung from that beauty which read more

Feast of George Herbert, Priest, Poet, 1633 Immortal Love, author of this great frame, Sprung from that beauty which can never fade; How hath man parcel'd out thy glorious name, And thrown it on that dust which thou hast made, While mortal love doth all the title gain! Which siding with invention, they together Bear all the sway, possessing heart and brain (Thy workmanship), and give thee share in neither. Wit fancies beauty, beauty raiseth wit: The world is theirs; they two play out the game, Thou standing by: and though thy glorious name Wrought our deliverance from th' infernal pit, Who sings thy praise? only a scarf or glove Doth warm our hands, and make them write of love.

Continuing a Lenten series on prayer: The primary object of prayer is to know God better; we and our read more

Continuing a Lenten series on prayer: The primary object of prayer is to know God better; we and our needs should come second. ... The Notebooks of Florence Allshorn March 16, 2000 Continuing a Lenten series on prayer: I have called my material surroundings a stage set. In this I can act. And you may well say "act". For what I call "myself" (for all practical, everyday purposes) is also a dramatic construction; memories, glimpses in the shavinglass, and snatches of the very fallible activity called "introspection", are the principal ingredients. Normally I call this construction "me"' and the stage set "the real world". Now the moment of prayer is for me -- or involves for me as its condition -- the awareness, the reawakened awareness, that this "real world" and "real self" are very far from being rock-bottom realities. I cannot, in the flesh, leave the stage, either to go behind the scenes or to take my seat in the pit; but I can remember that these regions exist. And I also remember that my apparent self -- this clown or hero or super -- under his grease-paint is a real person with an off-stage life. The dramatic person could not tread the stage unless he concealed a real person: unless the real and unknown I existed, I would not even make mistakes about the imagined me. And in prayer this real I struggles to speak, for once, from his real being, and to address, for once, not the other actors, but -- what shall I call Him? The Author, for He invented us all? The Producer, for He controls all? Or the Audience, for He watches, and will judge, the performance?