I believe in Christianity as I believe that the sun has risen: not only because I see it, but because read more

I believe in Christianity as I believe that the sun has risen: not only because I see it, but because by it I see everything else.

Commemoration of Wulfstan, Bishop of Worcester, 1095 As for the miseries and sins he heard of daily in read more

Commemoration of Wulfstan, Bishop of Worcester, 1095 As for the miseries and sins he heard of daily in the world, he was so far from wondering at them that, on the contrary, he was surprised that there were not more, considering the malice sinners were capable of... For his part, he prayed for them: but, knowing that God could remedy the mischiefs they did, when He pleased, he gave himself no further trouble.

I do not bring forgiveness with me, nor forgetfulness. The only ones who can forgive are dead; the living have read more

I do not bring forgiveness with me, nor forgetfulness. The only ones who can forgive are dead; the living have no right to forget.

Continuing a series on the church: By God's grace we live in a time of rediscovery of the Church read more

Continuing a series on the church: By God's grace we live in a time of rediscovery of the Church and of the wholeness of the Church. We see more clearly than often has been the case that ecclesiology and christology are one. The ekklesia, the community of believers, has as its first and foremost qualification that it is that community which, as community, belongs to Christ and is in Christ, and as such is the sphere of God's salvation, redemption, and reconciliation, and of Christ's rulership. This is the archetypal reality of the Church. To see and seize this essential point is a great blessing. This blessing, however, could as well become a curse, if it remained a theme of theological meditation and self-contemplation. This new knowledge is not real knowledge if it is not accompanied by a horror about the alienation of the empirical Church from its own fundamental reality and by a deep longing for a tangible manifestation of the Church's true nature. This horror and this longing are the deeper motives which are operating in many of the events and passionate discussions around the place and responsibility of the laity as an organic part of the Church.

[Johannes] Brahms chose his own texts [for his German Requiem] from Luther's Bible to illustrate the Protestant conviction that man read more

[Johannes] Brahms chose his own texts [for his German Requiem] from Luther's Bible to illustrate the Protestant conviction that man must hear and respond to God's word in man's own language, and that every believer must be free to deal with the Biblical text apart from priestly veto... For the word "German" he would gladly have substituted the word "human" because he was concerned to comment on "the primary text of human existence," finding there, as in the Bible, the universal themes of suffering and joy.

We are apt to overlook the hand and heart of God in our afflictions, and to consider them as mere read more

We are apt to overlook the hand and heart of God in our afflictions, and to consider them as mere accidents, and unavoidable evils. This view makes them absolute and positive evils, which admit of no remedy or relief. If we view our troubles and trials aside from the divine design and agency in them, we cannot be comforted.

Continuing a Lenten series on prayer: I have called my material surroundings a stage set. In this I can read more

Continuing a Lenten series on prayer: I have called my material surroundings a stage set. In this I can act. And you may well say "act". For what I call "myself" (for all practical, everyday purposes) is also a dramatic construction; memories, glimpses in the shavinglass, and snatches of the very fallible activity called "introspection", are the principal ingredients. Normally I call this construction "me"' and the stage set "the real world". Now the moment of prayer is for me -- or involves for me as its condition -- the awareness, the reawakened awareness, that this "real world" and "real self" are very far from being rock-bottom realities. I cannot, in the flesh, leave the stage, either to go behind the scenes or to take my seat in the pit; but I can remember that these regions exist. And I also remember that my apparent self -- this clown or hero or super -- under his grease-paint is a real person with an off-stage life. The dramatic person could not tread the stage unless he concealed a real person: unless the real and unknown I existed, I would not even make mistakes about the imagined me. And in prayer this real I struggles to speak, for once, from his real being, and to address, for once, not the other actors, but -- what shall I call Him? The Author, for He invented us all? The Producer, for He controls all? Or the Audience, for He watches, and will judge, the performance?

Feast of John Coleridge Patteson, First Bishop of Melanesia, & his Companions, Martyrs, 1871 For the power Thou hast given read more

Feast of John Coleridge Patteson, First Bishop of Melanesia, & his Companions, Martyrs, 1871 For the power Thou hast given me to lay hold of things unseen: For the strong sense I have that this is not my home: For my restless heart which nothing finite can satisfy: I give Thee thanks, O God. For the invasion of my soul by Thy Holy Spirit: For all human love and goodness that speak to me of Thee: For the fullness of Thy glory outpoured in Jesus Christ I give Thee thanks, O God.

Feast of Dunstan, Archbishop of Canterbury, 988 [Unbelievers] think they have made great efforts to get at the truth read more

Feast of Dunstan, Archbishop of Canterbury, 988 [Unbelievers] think they have made great efforts to get at the truth when they have spent a few hours in reading some book out of Holy Scripture, and have questioned some cleric about the truths of the faith. After that, they boast that they have searched in books and among men in vain.