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In the posteriors of this day, which the rude multitude call the afternoon. -Love's Labour 's Lost. Act v. Sc. read more
In the posteriors of this day, which the rude multitude call the afternoon. -Love's Labour 's Lost. Act v. Sc. 1.
Then come kiss me, sweet and twenty. -Twelfth Night. Act ii. Sc. 3.
Then come kiss me, sweet and twenty. -Twelfth Night. Act ii. Sc. 3.
No man's pie is freed From his ambitious finger. -King Henry VIII. Act i. Sc. 1.
No man's pie is freed From his ambitious finger. -King Henry VIII. Act i. Sc. 1.
When he is best, he is a little worse than a man; and when he is worst, he is little read more
When he is best, he is a little worse than a man; and when he is worst, he is little better than a beast. -The Merchant of Venice. Act i. Sc. 2.
Speak me fair in death. -The Merchant of Venice. Act iv. Sc. 1.
Speak me fair in death. -The Merchant of Venice. Act iv. Sc. 1.
O, what authority and show of truth Can cunning sin cover itself withal! -Much Ado about Nothing. Act iv. Sc. read more
O, what authority and show of truth Can cunning sin cover itself withal! -Much Ado about Nothing. Act iv. Sc. 1.
I am not in the roll of common men. -King Henry IV. Part I. Act iii. Sc. 1.
I am not in the roll of common men. -King Henry IV. Part I. Act iii. Sc. 1.
There 's nothing ill can dwell in such a temple: If the ill spirit have so fair a house, Good read more
There 's nothing ill can dwell in such a temple: If the ill spirit have so fair a house, Good things will strive to dwell with 't. -The Tempest. Act i. Sc. 2.
Every one fault seeming monstrous till his fellow-fault came to match it. -As You Like It. Act iii. Sc. 2.
Every one fault seeming monstrous till his fellow-fault came to match it. -As You Like It. Act iii. Sc. 2.