In the posteriors of this day, which the rude multitude call the afternoon. -Love's Labour 's Lost. Act v. Sc. read more

In the posteriors of this day, which the rude multitude call the afternoon. -Love's Labour 's Lost. Act v. Sc. 1.

Then come kiss me, sweet and twenty. -Twelfth Night. Act ii. Sc. 3.

Then come kiss me, sweet and twenty. -Twelfth Night. Act ii. Sc. 3.

No man's pie is freed From his ambitious finger. -King Henry VIII. Act i. Sc. 1.

No man's pie is freed From his ambitious finger. -King Henry VIII. Act i. Sc. 1.

When he is best, he is a little worse than a man; and when he is worst, he is little read more

When he is best, he is a little worse than a man; and when he is worst, he is little better than a beast. -The Merchant of Venice. Act i. Sc. 2.

Speak me fair in death. -The Merchant of Venice. Act iv. Sc. 1.

Speak me fair in death. -The Merchant of Venice. Act iv. Sc. 1.

O, what authority and show of truth Can cunning sin cover itself withal! -Much Ado about Nothing. Act iv. Sc. read more

O, what authority and show of truth Can cunning sin cover itself withal! -Much Ado about Nothing. Act iv. Sc. 1.

I am not in the roll of common men. -King Henry IV. Part I. Act iii. Sc. 1.

I am not in the roll of common men. -King Henry IV. Part I. Act iii. Sc. 1.

There 's nothing ill can dwell in such a temple: If the ill spirit have so fair a house, Good read more

There 's nothing ill can dwell in such a temple: If the ill spirit have so fair a house, Good things will strive to dwell with 't. -The Tempest. Act i. Sc. 2.

Every one fault seeming monstrous till his fellow-fault came to match it. -As You Like It. Act iii. Sc. 2.

Every one fault seeming monstrous till his fellow-fault came to match it. -As You Like It. Act iii. Sc. 2.