Many a time and oft In the Rialto you have rated me. -The Merchant of Venice. Act i. Sc. 3.

Many a time and oft In the Rialto you have rated me. -The Merchant of Venice. Act i. Sc. 3.

We 'll have a swashing and a martial outside, As many other mannish cowards have. -As You Like It. Act read more

We 'll have a swashing and a martial outside, As many other mannish cowards have. -As You Like It. Act i. Sc. 3.

I shall ne'er be ware of mine own wit till I break my shins against it. -As You Like It. read more

I shall ne'er be ware of mine own wit till I break my shins against it. -As You Like It. Act ii. Sc. 4.

Eating the bitter bread of banishment. -King Richard II. Act iii. Sc. 1.

Eating the bitter bread of banishment. -King Richard II. Act iii. Sc. 1.

If to do were as easy as to know what were good to do, chapels had been churches, and poor read more

If to do were as easy as to know what were good to do, chapels had been churches, and poor men's cottages princes' palaces. -The Merchant of Venice. Act i. Sc. 2.

Small have continual plodders ever won Save base authority from others' books. These earthly godfathers of heaven's lights That give read more

Small have continual plodders ever won Save base authority from others' books. These earthly godfathers of heaven's lights That give a name to every fixed star Have no more profit of their shining nights Than those that walk and wot not what they are. -Love's Labour 's Lost. Act i. Sc. 1.

And sheathed their swords for lack of argument. -King Henry V. Act iii. Sc. 1.

And sheathed their swords for lack of argument. -King Henry V. Act iii. Sc. 1.

All the world 's a stage, And all the men and women merely players. They have their exits and their read more

All the world 's a stage, And all the men and women merely players. They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms. And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woful ballad Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard; Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side; His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything. -As You Like It. Act ii. Sc. 7.

My meaning in saying he is a good man, is to have you understand me that he is sufficient. -The read more

My meaning in saying he is a good man, is to have you understand me that he is sufficient. -The Merchant of Venice. Act i. Sc. 3.