All that glisters is not gold. -The Merchant of Venice. Act ii. Sc. 7.

All that glisters is not gold. -The Merchant of Venice. Act ii. Sc. 7.

Close up his eyes and draw the curtain close; And let us all to meditation. -King Henry VI. Part II. read more

Close up his eyes and draw the curtain close; And let us all to meditation. -King Henry VI. Part II. Act iii. Sc. 3.

All the world 's a stage, And all the men and women merely players. They have their exits and their read more

All the world 's a stage, And all the men and women merely players. They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms. And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woful ballad Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard; Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side; His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything. -As You Like It. Act ii. Sc. 7.

Two lovely berries moulded on one stem. -A Midsummer Night's Dream. Act iii. Sc. 2.

Two lovely berries moulded on one stem. -A Midsummer Night's Dream. Act iii. Sc. 2.

Others abide our question. Thou art free.
We ask and ask--Thou smilest and art still,
Out-topping knowledge.

Others abide our question. Thou art free.
We ask and ask--Thou smilest and art still,
Out-topping knowledge.

But man, proud man, Drest in a little brief authority, Most ignorant of what he 's most assured, His glassy read more

But man, proud man, Drest in a little brief authority, Most ignorant of what he 's most assured, His glassy essence, like an angry ape, Plays such fantastic tricks before high heaven As make the angels weep. -Measure for Measure. Act ii. Sc. 2.

The fashion wears out more apparel than the man. -Much Ado about Nothing. Act iii. Sc. 3.

The fashion wears out more apparel than the man. -Much Ado about Nothing. Act iii. Sc. 3.

This figure that thou here seest put,
It was for gentle Shakespeare cut,
Wherein the graver had read more

This figure that thou here seest put,
It was for gentle Shakespeare cut,
Wherein the graver had a strife
With Nature, to outdo the life:
Oh, could he but have drawn his wit
As well in brass, as he has hit
His face, the print would then surpass
All that was ever writ in brass;
But since he cannot, reader, look
Not on his picture, but his book.

The man that hath no music in himself, Nor is not moved with concord of sweet sounds, Is fit for read more

The man that hath no music in himself, Nor is not moved with concord of sweet sounds, Is fit for treasons, stratagems, and spoils; The motions of his spirit are dull as night, And his affections dark as Erebus. Let no such man be trusted. -The Merchant of Venice. Act. v. Sc. 1.