In the posteriors of this day, which the rude multitude call the afternoon. -Love's Labour 's Lost. Act v. Sc. read more

In the posteriors of this day, which the rude multitude call the afternoon. -Love's Labour 's Lost. Act v. Sc. 1.

And then he drew a dial from his poke, And looking on it with lack-lustre eye, Says very wisely, It read more

And then he drew a dial from his poke, And looking on it with lack-lustre eye, Says very wisely, It is ten o'clock: Thus we may see, quoth he, how the world wags. -As You Like It. Act ii. Sc. 7.

Condemn the fault, and not the actor of it? -Measure for Measure. Act ii. Sc. 2.

Condemn the fault, and not the actor of it? -Measure for Measure. Act ii. Sc. 2.

O, that he were here to write me down an ass! -Much Ado about Nothing. Act iv. Sc. 2.

O, that he were here to write me down an ass! -Much Ado about Nothing. Act iv. Sc. 2.

Put thyself into the trick of singularity. -Twelfth Night. Act iii. Sc. 4.

Put thyself into the trick of singularity. -Twelfth Night. Act iii. Sc. 4.

Lord, what fools these mortals be! -A Midsummer Night's Dream. Act iii. Sc. 2.

Lord, what fools these mortals be! -A Midsummer Night's Dream. Act iii. Sc. 2.

Comes at the last, and with a little pin Bores through his castle wall—and farewell king! -King Richard II. Act read more

Comes at the last, and with a little pin Bores through his castle wall—and farewell king! -King Richard II. Act iii. Sc. 2.

Thou didst swear to me upon a parcel-gilt goblet, sitting in my Dolphin-chamber, at the round table, by a sea-coal read more

Thou didst swear to me upon a parcel-gilt goblet, sitting in my Dolphin-chamber, at the round table, by a sea-coal fire, upon Wednesday in Wheeson week. -King Henry IV. Part II. Act ii. Sc. 1.

The fringed curtains of thine eye advance. -The Tempest. Act i. Sc. 2.

The fringed curtains of thine eye advance. -The Tempest. Act i. Sc. 2.